Released: March 18, 2021

Songwriter: David Bowie

Producer: Mike Garson Kerry Brown

[Verse 1]
It's a god-awful small affair
To the girl with the mousy hair
But her mummy is yelling, "No!"
And her daddy has told her to go
But her friend is nowhere to be seen
Now she walks through her sunken dream
To the seat with the clearest view
And she's hooked on the silver screen

[Pre-Chorus]
But the film is a saddening bore
For she's lived it ten times or more
She could spit in the eyes of fools
As they ask her to focus on

[Chorus]
Sailors fighting in the dance hall
Oh, man, look at those cavemen go
It's the freakiest show
Take a look at the lawman
Beating up the wrong guy
Oh, man, wonder if he'll ever know
He's in the best selling show
Is there life on Mars?

[Verse 2]
It's on America's tortured brow
That Mickey Mouse has grown up a cow
Now the workers have struck for fame
'Cause Lennon's on sale again
For the mice in their million hordes
From Ibiza to the Norfolk Broads
Rule Britannia is out of bounds
To my mother, my dog, and clowns

[Pre-Chorus]
But the film is a saddening bore
Because I wrote it ten times or more
It's about to be writ again
All I ask you to focus on

[Chorus]
Sailors fighting in the dance hall
Oh, man, look at those cavemen go
It's the freakiest show
Take a look at the lawman
Beating up the wrong guy
Oh, man, wonder if he'll ever know
He's in the best selling show
Is there life on Mars?

YUNGBLUD

Dominic Richard Harrison, who performs under the moniker of YUNGBLUD, fuses alternative rock and hip-hop while speaking up on important topics like mental illness and politics. Hailing from Doncaster, England, he cites acts like Arctic Monkeys and Eminem as influences.

Harrison grew up surrounded by music, and in several interviews he mentions that his parents placed a ukulele in his hands within days of his birth. His father owned a guitar shop and his grandfather was part of T. Rex.

Before becoming YUNGBLUD, he performed as Harrison, releasing songs like “Miss Those Days” with an upbeat acoustic flare. In his late teens, Harrison was approached by a record label, and conformed to their expectations hoping for a successful career, but he left the label in favor of making the music he truly wanted to create.