Released: July 28, 2017

Songwriter: Alice Cooper Michael Bruce Neal Smith

Producer: Bob Ezrin

Billion dollar baby
Rubber little lady, slicker than a weasel
Grimy as an alley, loves me like no other lover

Billion dollar baby
Rubber little monster, baby I adore you
Man or woman living couldn't love you like me baby

We go dancing nightly in the attic
While the moon is rising in the sky
If I'm too rough tell me
I'm so scared your little head
Will come off in my hands

Billion dollar baby
I got you in a dimestore
No other little girl could ever
Hold you any tighter, any tighter than me baby

Billion dollar baby
Reckless like a gambler, million dollar maybe
Fighting like a dog who's been infected by the rabies

We go dancing nightly in the attic
While the moon is rising in the sky
If I'm too rough tell me
I'm so scared your little head
Will come off in my hands

Million dollar babies
Billion dollar babies
Trillion dollar babies
Zillion dollar babies

Alice Cooper

Alice Cooper is the stage name and ‘fun villain’ character of Vincent Furnier. Cooper became the target of parents and ministers for his dark lyrics and gory theatrical performances that earned him the title Godfather of Shock Rock. Despite once claiming the name was conjured from a ouija board that told him he’s the reincarnation of a 17th century witch, Cooper laughs the topic off with flippant answers like “It was either a Scrabble board or a bowl of alphabet soup” and “I didn’t want a name like Iron Butterfly or Black Sabbath. I wanted it to be something your aunt might be called.”

The band Alice Cooper was originally signed by Frank Zappa to his own record label. Their first notoriety came when Cooper tossed a wayward chicken (possibly arranged by long-time manager Shep Gordon) into the crowd, who then tore it apart at the 1969 Toronto Rock ‘n’ Roll Revival Festival. Newspapers claimed he’d bit the bird’s head off and drank its blood. Zappa advised them to not deny the story and Cooper used it as inspiration to make his character darker.

The band’s teaming with producer Bob Ezrin for their third album Love It To Death led to their US breakthrough with a top 30 hit “I’m Eighteen” in early 1971. By then, the band was already infamous for their stage show, which had escalated into simulated torture and executions. That same year, Killer was released with its two singles “Under My Wheels” and “Be My Lover” finding moderate US success, and both albums being certified gold the following year.