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For Britain OnlyAlice Cooper

Songwriter: Alice Cooper Erik Scott Jan Uvena John Nitzinger Mike Pinera

Producer: Alice Cooper Erik Scott

We blasted Glasgow
Invaded France
Assaulted Sweden
Took down our pants
And lovely England
My little kitten
Deliriously
Black widow bitten
For Britain only
Only for Britain, yeah
For Britain only
Only for Britain

Jumped on the concord
Ain't much for sittin'
I told my boys, now
No public spiting
No bar room fighting
No bad head splitting
Behave yourself 'cause we're, we're back in Britain
For Britain only
Only for Britain

Cost six years of time and space
It took so long to change his face
To redesign his streamline face
Now strong and sleek but still no taste
Guilty
I'm guilty

Won't go to Hungary
Iran is out
Welcome to Moscow, huh
I have my doubts
Can't get near Libya
That boy's insane
Let's head for London
Where we can scream again
For Britain only
Only for Britain, yeah
For Britain only
Only for Britain
For Britain only

Alice Cooper

Alice Cooper is the stage name and ‘fun villain’ character of Vincent Furnier. Cooper became the target of parents and ministers for his dark lyrics and gory theatrical performances that earned him the title Godfather of Shock Rock. Despite once claiming the name was conjured from a ouija board that told him he’s the reincarnation of a 17th century witch, Cooper laughs the topic off with flippant answers like “It was either a Scrabble board or a bowl of alphabet soup” and “I didn’t want a name like Iron Butterfly or Black Sabbath. I wanted it to be something your aunt might be called.”

The band Alice Cooper was originally signed by Frank Zappa to his own record label. Their first notoriety came when Cooper tossed a wayward chicken (possibly arranged by long-time manager Shep Gordon) into the crowd, who then tore it apart at the 1969 Toronto Rock ‘n’ Roll Revival Festival. Newspapers claimed he’d bit the bird’s head off and drank its blood. Zappa advised them to not deny the story and Cooper used it as inspiration to make his character darker.

The band’s teaming with producer Bob Ezrin for their third album Love It To Death led to their US breakthrough with a top 30 hit “I’m Eighteen” in early 1971. By then, the band was already infamous for their stage show, which had escalated into simulated torture and executions. That same year, Killer was released with its two singles “Under My Wheels” and “Be My Lover” finding moderate US success, and both albums being certified gold the following year.

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