Released: November 20, 1973

Songwriter: Michael Bruce Alice Cooper

Producer: Jack Richardson Jack Douglas

Aw, who's the queen of the locker room
Who's the cream of the crop
Poor Joey took her to the matinee
Said, "God, she wouldn't stop!"

Holy muscle of love
My heart's a muscle

Well, I must have come to that crazy age
Where ev'rything is hot
'Cause I don't know if the things I'm thinking
Are normal thoughts or not

Holy muscle of love
Well, I got a muscle of love
Yeah
Ooh

I read Dad's books like I did before
Now things are crystal clear
Lock the door in the bathroom now
I just can't get caught in here

Holy muscle of love
Well, I got a muscle of love
Holy muscle of love
I got a muscle of love
Holy muscle of love
My heart's a muscle of love
Holy muscle of love
Well, I got a muscle of love
Yeah, yeah, yeah
Must be a gift from above
Yeah, yeah, yeah

(Hallelujah, etc.)

Alice Cooper

Alice Cooper is the stage name and ‘fun villain’ character of Vincent Furnier. Cooper became the target of parents and ministers for his dark lyrics and gory theatrical performances that earned him the title Godfather of Shock Rock. Despite once claiming the name was conjured from a ouija board that told him he’s the reincarnation of a 17th century witch, Cooper laughs the topic off with flippant answers like “It was either a Scrabble board or a bowl of alphabet soup” and “I didn’t want a name like Iron Butterfly or Black Sabbath. I wanted it to be something your aunt might be called.”

The band Alice Cooper was originally signed by Frank Zappa to his own record label. Their first notoriety came when Cooper tossed a wayward chicken (possibly arranged by long-time manager Shep Gordon) into the crowd, who then tore it apart at the 1969 Toronto Rock ‘n’ Roll Revival Festival. Newspapers claimed he’d bit the bird’s head off and drank its blood. Zappa advised them to not deny the story and Cooper used it as inspiration to make his character darker.

The band’s teaming with producer Bob Ezrin for their third album Love It To Death led to their US breakthrough with a top 30 hit “I’m Eighteen” in early 1971. By then, the band was already infamous for their stage show, which had escalated into simulated torture and executions. That same year, Killer was released with its two singles “Under My Wheels” and “Be My Lover” finding moderate US success, and both albums being certified gold the following year.