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From the InsideAlice Cooper

Songwriter: David Foster Dick Wagner Bernie Taupin Alice Cooper

Producer: David Foster

I got lost on the road somewhere
Was it Texas or was it Canada
Drinking whiskey in the morning light
I work the stage all night long
At first we laughed about it
My long-haired drunken friends
Proposed a toast to Jimmy's ghost
I never dreamed that I would wind up on the losing end

I'm stuck here on the inside looking out
I'm just another case
Where's my makeup where's my face on the inside

All got your kicks from what you saw up there
Eight bucks even buys a folding chair
I was downing seagrams on another flight
And I worked that stage all night long
You were screaming for the villain up there
And I was much obliged
The old road sure screwed me good this time
It's hard to see where the vicious circle ends

I'm stuck here on the inside looking out
That's no big disgrace
Where's my makeup where's my face on the inside

Alice Cooper

Alice Cooper is the stage name and ‘fun villain’ character of Vincent Furnier. Cooper became the target of parents and ministers for his dark lyrics and gory theatrical performances that earned him the title Godfather of Shock Rock. Despite once claiming the name was conjured from a ouija board that told him he’s the reincarnation of a 17th century witch, Cooper laughs the topic off with flippant answers like “It was either a Scrabble board or a bowl of alphabet soup” and “I didn’t want a name like Iron Butterfly or Black Sabbath. I wanted it to be something your aunt might be called.”

The band Alice Cooper was originally signed by Frank Zappa to his own record label. Their first notoriety came when Cooper tossed a wayward chicken (possibly arranged by long-time manager Shep Gordon) into the crowd, who then tore it apart at the 1969 Toronto Rock ‘n’ Roll Revival Festival. Newspapers claimed he’d bit the bird’s head off and drank its blood. Zappa advised them to not deny the story and Cooper used it as inspiration to make his character darker.

The band’s teaming with producer Bob Ezrin for their third album Love It To Death led to their US breakthrough with a top 30 hit “I’m Eighteen” in early 1971. By then, the band was already infamous for their stage show, which had escalated into simulated torture and executions. That same year, Killer was released with its two singles “Under My Wheels” and “Be My Lover” finding moderate US success, and both albums being certified gold the following year.

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