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I Am the FutureAlice Cooper

Released: August 25, 1982

Songwriter: Lalo Schifrin Gary Osborne

Producer: Alice Cooper Steve Tyrell

When does a dream become a nightmare?
When do we do what must be done?
When do we stand and face the future?
When there is nowhere left to run?

And you've got to learn
Just how to survive
You've got to learn
How to keep your dream alive

Take a look at my face
I am the future
How do you like what you see?
Take a look at my face
I belong to the future
And you belong to me

When does a dream become a nightmare?
When do we learn to live with fear?
When we cry out for some salvation?
Why is it no one seems to hear?

You've got to learn
It's up to you
If you can learn
That the dream just might come true

Take a look at my face
I am the future
How do you like what you see?
Take a look at my face
I belong to the future
The world belongs to me, yeah

Take a look at my face
I am the future
Now, how do you like what you see?
Take a look at my face
I belong to the future
And the world it belongs to me
It belongs to me

It's all mine
Just take a look at my face
I'm the future, no disgrace
Take a look at my face
This world belongs to... to me

Alice Cooper

Alice Cooper is the stage name and ‘fun villain’ character of Vincent Furnier. Cooper became the target of parents and ministers for his dark lyrics and gory theatrical performances that earned him the title Godfather of Shock Rock. Despite once claiming the name was conjured from a ouija board that told him he’s the reincarnation of a 17th century witch, Cooper laughs the topic off with flippant answers like “It was either a Scrabble board or a bowl of alphabet soup” and “I didn’t want a name like Iron Butterfly or Black Sabbath. I wanted it to be something your aunt might be called.”

The band Alice Cooper was originally signed by Frank Zappa to his own record label. Their first notoriety came when Cooper tossed a wayward chicken (possibly arranged by long-time manager Shep Gordon) into the crowd, who then tore it apart at the 1969 Toronto Rock ‘n’ Roll Revival Festival. Newspapers claimed he’d bit the bird’s head off and drank its blood. Zappa advised them to not deny the story and Cooper used it as inspiration to make his character darker.

The band’s teaming with producer Bob Ezrin for their third album Love It To Death led to their US breakthrough with a top 30 hit “I’m Eighteen” in early 1971. By then, the band was already infamous for their stage show, which had escalated into simulated torture and executions. That same year, Killer was released with its two singles “Under My Wheels” and “Be My Lover” finding moderate US success, and both albums being certified gold the following year.

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