Songwriter: Amy Winehouse Nickolas Ashford Valerie Simpson

[Verse 1]
All I can ever be to you is the darkness that we knew
And this regret I've got accustomed to
Once it was so right, when we were at our height
Waiting for you in the hotel at night
I knew I hadn't met my match
But every moment we could snatch
I don't know why I got so attached
It's my responsibility
And you don't owe nothing to me
But to walk away, I have no capacity

[Chorus]
He walks away, the sun goes down
He takes the day, but I am grown (I'm grown)
And in your way, in this blue shade
My tears dry on their own

[Verse 2]
Yeah, I don't understand, why do I stress the man?
When there's so many bigger things at hand
We could've never had it all
We had to hit a wall
So this is inevitable withdrawal
Even if I stop wanting you and perspective pushes through
I'll be some next man's other woman soon
I cannot play myself again
I should just be my own best friend
Not myself in the head with stupid men

[Chorus]
He walks away, the sun goes down
He takes the day, but I am grown (I'm grown)
And in your way, in this blue shade
My tears dry on their own

[Bridge]
So we are history
Your shadow covers me
The sky above ablaze

[Chorus]
He walks away, the sun goes down
He takes the day, but I am grown
And in your way, in this blue shade
My tears dry on their own

[Verse 3]
I wish I could say no regrets
And no emotional debts
'Cause as we kiss goodbye, the sun sets
So we are history, the shadow covers me
The sky above ablaze that only lovers see

[Chorus]
He walks away, the sun goes down
He takes the day, but I am grown (I'm grown)
And in your way, my blue shade
My tears dry on their own
Woah, he walks away, the sun goes down
He takes the day, but I am grown
And in your way, in this blue shade
My, oh-oh-oh

[Outro]
He walks away, the sun goes down
He takes the day, but I am grown
And in your grey, in this blue shade
My tears dry on their own

Amy Winehouse

Amy Jade Winehouse (14 September, 1983 — 23 July, 2011) was an English singer-songwriter known for her immediately recognisable contralto vocal range and soul-jazz style of vocals.

Even at age fourteen, Amy had a breathtakingly unique set of vocals that would propel her into stardom. By age nineteen, she had signed with Simon Fuller’s management company 19 Management. Soon after, she was scouted by Island Record’s A&R representative Darcus Beese and signed over to Island Records. In less than a year, after working closely alongside legendary music producer Salaam Remi, Amy released her debut studio album Frank. The album was praised for its jazz-influenced sound, and earned a nomination for Album of the Year at the 2004 Mercury Music Prize Awards. It rolled out some of Amy’s most notable singles, including “Fuck Me Pumps” and “Stronger Than Me,” the latter of which winning Amy her first Ivor Novello Award in 2004.

Three years after Frank on October 27, 2006, Amy released her sophomore and final studio album Back to Black. The album narrated the ups and downs of Amy’s personal life, most specifically the turmoils she faced with her partner Blake Fielder-Civil. Back to Black saw Amy branch out in terms of genre and production while working with fellow English producer Mark Ronson, who produced five of the eleven tracks featured on the album. Its lead single, “Rehab,” solidified itself as Amy’s staple track, detailing the conversation she had with her management after fears her drinking habits were causing her too much damage. The album’s title track “Back to Black” was released as another single a few months after “Rehab” and unfolded the dark moments that Amy faced after her relationship with Fielder-Civil came to a halt. Despite the album’s immense popularity and four Grammy Award wins, the attention it received, coupled with the incessant touring of the album and pressure placed on her personal life, visibly plunged Amy into her darkest hours that quickly lead to her untimely demise.