Released: July 23, 2003

Songwriter: Beyoncé Andreao “Fanatic” Heard Sherrod Barnes

Producer: Beyoncé Sherrod Barnes Andreao “Fanatic” Heard

[Chorus]
You've got me (You've got me)
You've got me (You've got me)
You've got me (You've got me)
You've got me speechless

[Verse 1]
Where you been, baby?
Waited for you all day
Waited for you to use the key
That opens my place
My heart starts trembling
As I hear your footsteps pace
Lock opened, doorknob turned
There appears your face

[Pre-Chorus]
Going outta my head, I think I'm losing all my mind
Drive me crazy, burning candles, making love all night
Feels so strange, it feels so crazy to be in your world
In your arms lost for words
You've got me

[Chorus]
You've got me (You've got me)
You've got me (You've got me)
Ohh
You've got me (You've got me)
You've got me speechless

[Verse 2]
Laying so closely
I feel your skin rubbing and touching me
Only sweat between us
Feeling you kissing and pleasing me
I rub your back
I kiss your neck
I know that you love when we touch like that
I can feel you need me
Feels so good to me
Feels so good to me

[Pre-Chorus]
Going outta my head, I think I'm losing all my mind
Drive me crazy, burning candles, making love all night
Feels so strange, it feels so crazy to be in your world
In your arms lost for words
You've got me (You've got me)

[Chorus]
You've got me (You've got me)
You've got me (You've got me)
You've got me (You've got me)
You've got me speechless

[Outro]
Yes, yes, yes
Yes, yes, yes
Speechless, all I can say is
Yes, yes, yes
All I can say is
Yes, yes, yes, yes
Kiss me
Hold me
You've got me
Speechless

Beyoncé

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.