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Get Me Bodied (Homecoming Live)Beyoncé

Released: April 17, 2019

Songwriter: Beyoncé Sean Garrett Nitti J-Roc The Royal Court Orville “Bugs Can Can” Hall Yung Joc DJ Jubilee Swizz Beatz Solange Makeba Riddick Angela Beyince

Producer: Derek Dixie Beyoncé

[Intro: Beyoncé]
Everybody say, "Hey, Ms. Carter"
(Hey, Ms. Carter)
I'm just checkin’ to make sure y'all still out there
All the way in the back say, "Hey, Ms. Carter"
(Hey, Ms. Carter)
To my right say, "Hey, Ms. Carter"
(Hey, Ms. Carter)
To my left say, "Hey, Ms. Carter"
(Hey, Ms. Carter)
Everybody put your hands together like this
Everybody put your hands together, yeah
Now everybody say, "Hey, hey, hey, hey"
(Hey, hey, hey, hey)
Even louder, "Hey, hey, hey, hey"
(Hey, hey, hey, hey)

[Chorus: Beyoncé]
Say, "I ain't worried, doin’ me tonight," sing
(I ain't worried, doin' me tonight)
Louder, "A little sweat ain't never hurt nobody," sing
(A little sweat ain't never hurt nobody)
"While y'all standin' on the wall," sing
(While y'all standin’ on the wall)
"I’m the one tonight gettin' bodied"
(I’m the one tonight gettin' bodied)
Say, get me bodied, sing (Get me bodied)
Get me bodied (Get me bodied)
You want my body, sing (You want my body)
Get me bodied

[Verse: Beyoncé]
Baby, all I want is to let it go
Ain't no worries, no
We can dance all night
Get me bodied
That means come closer to me
While we grind to the beat
And your body...
Baby, all I need is to let it be
Ain't no worry, no
Boy, dance with me
Feel my body
That means come closer to me
While we grind to the beat
And your body

[Chorus: Beyoncé]
I ain’t worried, doin' me tonight
Ain't no shame, 'cause I gotta get mine
Swing my hair and kick off my shoes
Call me, boy, and let me work on you
I ain't worried, doin' me tonight
A little sweat ain't never hurt nobody
While y'all standin' on the wall
I'm the one tonight gettin' bodied
Gettin' bodied, gettin' bodied
Gettin' bodied, gettin' bodied
You want my body, won't you get my body?
You want my body, won't you get my body?
Yeah

[Interlude: Beyoncé]
Ladies and gentlemen, please give it up for Solange! Hey

[Dance Break: Beyoncé & Solange]
Drop down low and sweep the floor with it
Drop-drop down low and sweep the floor with it
Drop down low and sweep the floor with it
Drop-drop down low and sweep the floor with it
Oh no-no
Pat your weave, ladies
Pat-pat-pat your weave, ladies (Watch it while he check up on it)
Pat your weave, ladies
Pat-pat-pat your weave, ladies (Watch it while he check up on it)
Tick-tick-tick-tick, fight
Now tick-tick-tick-tick-tick-tick, fight
Now tick-tick-tick-tick, fight
Now tick-tick-tick-tick-tick-tick, fight
Now pose for the camera, now flick-flick
Pose for the camera, now flick-flick
Pose for the camera, now flick-flick
Pose for the camera, now flick-flick
Do an old school dance, an old school dance
An old school dance, do an old school...
Do an old school dance, an old school dance
An old school dance, do an old school...
Stop, now cool off, cool off
Cool off, cool off
Drop, and cool off, cool off
Cool off, cool off (Oh)
Wind it back, girl
Wind it back, girl
Make your hair touch the floor, wind it back
Wind it back, girl
Wind it back, girl
Make your hair touch the floor, wind it back
Do the scissor leg, touch your heels, touch your toes
Do the scissor leg, touch your heels, touch your toes
Do the scissor leg, touch your heels, touch your toes
Do the scissor leg, touch your heels, touch your toes
Do the Naomi Campbell walk, Naomi Campbell walk
Walk across the room like Naomi Campbell
Do the Naomi Campbell walk, Naomi Campbell walk
Walk across the room like Naomi Campbell
Snap for the kids, snap for the kids
Snap in a circle three times
Snap for the kids, snap for the kids
Snap in a circle three times
I touch your body while you touch my body
We touchin' bodies tonight, we gettin' bodied
I touch your body while you touch my body
We touchin' bodies tonight, we gettin' bodied

Beyoncé

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.

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