Released: April 17, 2019

Songwriter: Sister Nancy Winston Riley Josh Kelly Bo Diddley Willie Cobbs Dawn Penn

Producer: Derek Dixie Beyoncé

[Intro: Sean Paul]
Dutty, we'll, dutty, we'll
Dutty, we'll, dutty, we'll
Dutty, we'll, dutty, we'll
Dutty, we'll, dutty, we'll
Dutty, we'll, dutty, we'll
Dutty, we'll, dutty, we'll
Dutty, we'll

[Verse: Beyoncé]
No, no, no (No, no, no)
You don't love me
This I know, boy (This I know, boy)
The people, the people (This I know, boy)
The people
No, no, no (No, no, no)
You don't love me
This I know, boy (This I know, boy)
The people, the people (This I know, boy)
The people, the people
If you ask me, baby
I'll do anything you say you, boy
I’m talking to you

Beyoncé

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.

From the album