Beyoncé

Songwriter: Chad Hugo Pharrell Williams Beyoncé

Producer: The Neptunes StarGate

[Verse 1]
Party the people, the people the party
It's popping no sitting around
I see you looking, you looking I see you
I look at what you started now

[Pre-Hook]
Let's hook up
Come on give some of the that stuff
Let me freshin' it with no ruff (let's go)
Let's hook up, when we start we won't stop
Baby, baby don't stop
Come on give me some of that stuff (let's go)

[Hook]
I am, Black Culture
I am, Black Culture
I am, Black Culture
I am, Black Culture

[Verse 2]
Party the people, the people the party
It's popping no sitting around
I see you looking you looking I see you
I look at what you started now

[Pre-Hook]
Let's hook up
Come one give some of the that stuff
Let me freshin' it up little one on one with no ruff (let's go)
Let's hook up, when we start we won't stop
Baby, baby don't stop
Come on give me some of that stuff (let's go)

[Hook]
You are, Black Culture
You are, Black Culture
You are, Black Culture
You are, Black Culture

[Pre-Hook]
Let's hook up
Come on give some of the that stuff
Let me freshin' it up little one on one with no ruff (let's go)
Let's hook up, when we start we won't stop
Baby, baby don't stop
Come on give me some of that stuff (let's go)

[Pre-Hook]
Let's hook up
Come on give some of the that stuff
Let me freshin' it up little one on one with no ruff (let's go)
Let's hook up, when we start we won't stop
Baby, baby don't stop
Come on give me some of that stuff (let's go)

[Hook]
We are, Black Culture
We are, Black Culture
We are, Black Culture
We are, Black Culture
We are, Black Culture
We are, Black Culture
We are, Black Culture
We are, Black Culture

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.

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