Songwriter: Solange Beyoncé

Producer: Jim Jonsin

[Verse 1:]
I like to feel so high and you feel good feeling low
I like my colors vivid and you paint your colors gold
I like to see the world and you like your weekends home
But I've been staying behind
While you refused to go

[Chorus:]
Cause you're such a burden
But you're the weight up off my shoulders
Cause even though I'm hurting
It still feels like it's time I'm growing
When I thought that we'd grow up and grow
Together the same time
Guess I passed you by at that old "Stop" sign
At that old "Stop" sign

[Verse 2:]
You like to sleep all day and I like my minutes
I like trips to the movies you watch TV all night long
I like to go out dancing and you go out just to hang
And I've been right beside you losing me and doing the same

[Chorus:]
Cause you're such a burden
But you're the weight up off my shoulders
Cause even though I'm hurting
It still feels like it's time I'm growing
When I thought that we'd grow up and grow
Together the same time
Guess I passed you by at that old "Stop" sign
At that old "Stop" sign

[Verse 3:]
I looked around and baby you were gone
Where did I lose you honey
I even slowed down thought you'd follow
But you took your own roads honey
Cause I've been traveling traveling traveling
Only to find that
I'm making this trip alone
And I've been staying behind
While you refused to go

[Chorus:]
Cause you're such a burden
But you're the weight up off my shoulders
Cause even though I'm hurting
It still feels like it's time I'm growing
When I thought that we'd grow up and grow
Together the same time
Guess I passed you by at that old "Stop" sign
At that old "Stop" sign

Beyoncé

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.