Released: November 26, 2010

[Intro: Beyoncé]
Kelly, can you handle this?
Michelle, can you handle this?
Beyonce, can you handle this?
I don't think they can handle this

[Hook: Michelle Williams, Kelly Rowland & Beyoncé]
I don't think you're ready for this jelly
I don't think you're ready for this jelly
I don't think you're ready for this
Cause my body's too bootylicious for ya babe
I don't think you're ready for this jelly (hey)
I don't think you're ready for this jelly (hey)
I don't think you're ready for this
Cause my body's too bootylicious for ya babe

[Post Hook: Beyoncé]
Baby can you handle this?
Baby can you handle this?
Baby can you handle this?
I don't think you can handle this (woo!)

Beyoncé

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.