Released: November 26, 2010

[Verse 1]
You're the only one that Papa allowed to hang out in my room
With the door closed, we'd be alone
And mama never freaked out when she heard it go 'BOOM!'
'Cause she knew we were in the zone

[Pre-Chorus 1]
Hold him in my arms and look out of my window
(Under the moonlight)
And he be keepin' me calm so I'd never let him go
He's got a place in my heart

[Chorus]
I think I'm in love with my radio
'Cause it never lets me down
And I fall in love with my stereo
Whenever I hear that sound
(Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh)
Whenever I hear that sound
(Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh)
Whenever I hear that sound

[Versus 2]
When I get into my car, turn it uh-up, uh-up
Then I hear vibrations all up in my truh-unk, uh-unk
And the bassline be rattlin' through my see-eat, ee-eats
Then that crazy feeling starts happeni-ing- i-ing, OH!

[Pre-Chorus 2]
I get butterflies when I hear the DJ (Playing the stuff I like)
And I fall deeper in love with every song he plays
He's got a place in my heart

[Chorus]
I think I'm in love with my radio
'Cause it never lets me down
And I fall in love with my stereo
Whenever I hear that sound
(Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh)
Whenever I hear that sound
(Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh)
Whenever I hear that sound

[Bridge]
I be on the hotline, like e'rryday
Makin' sure the DJ know what I want him to play
You know I got my top back and my beat low-oh
Rockin' my stunna shades and turnin' up my radio-oh
Turn up my radio, radio, radio....

[Chorus]
I think I'm in love with my radio
'Cause it never lets me down
And I fall in love with my stereo
Whenever I hear that sound
(Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh)
Whenever I hear that sound
(Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh)
Whenever I hear that sound

[Outro]
(Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh)
(Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh)
Oh, ooh, whoa, whoa
Oh, ooh, whoa, whoa
Oh, ooh, whoa, whoa, ooh

Beyoncé

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.