Beyoncé

Released: July 29, 2022

Featuring: BEAM

Songwriter: Beyoncé BEAM Chad Hugo Pharrell Williams Skrillex Al Cres Jordan Douglas Tizita Makuria Blu June Brittany Coney The-Dream Teena Marie Allen McGrier BlaqNmilD Big Freedia

Producer: Skrillex Al Cres BEAM Beyoncé NOVA WAV

[Intro: BEAM]
On stage, rockin', I'm star crazy
Cocoa flow like 1980's
Come, let's tell a drop lazy
None of that maybe
Energy (Ah)
Energy
Energy (On it)

[Verse 1: Beyoncé]
Just vibe
Votin' out 45, don't get outta line, yeah
Ooh, ooh, ooh, ooh, pick a side
Only double lines we cross is dollar signs, yeah
Ooh, ooh, ooh, ooh, hol' up
Wait, I hear you just got paid, make it rain, energy
She more Cancún, he more Saint-Tropez
Big wave in the room, the crowd gon' move
Look around, everybody on mute
Look around, it's me and my crew
Big energy

[Chorus: BEAM]
He was on stop mode, got froze
Frozе front page Vogue, no pose
Chat too much, full clip unload
That's that Kodak еnergy
Energy
Energy
Energy
Yeah, yeah

[Verse 2: Beyoncé]
Gold links, raw denim
You know that we do it grande
You know that I'm gon' be extra
When that camera go, "Pop, pop, pop, pop, pop, pop"
Keep 'em waitin' like dot, dot, dot, dot, dot, dot
"Ooh, la-la-la"
That's the way dem boys sound when I walk through the block, block, block
Then I uzi that doozie, shot, shot, shot

[Bridge: Beyoncé]
We was just chillin', mindin' our business
Poppin' our pain and champagne through the ceilin'
Sippin' it up, flickin' it up
All this good energy got you all in your feelings, feelings
I'm crazy, I'm swearin'
I'm darin', your man's starin'
I just entered the country with derringers
'Cause them Karens just turned into terrorists

[Chorus: BEAM, Beyoncé & Big Freedia]
He was on stop mode, got froze (Ah, ah, ah, la-la-la-la-la-la)
Froze front page Vogue, no pose (Ah, la-la, ah, ah)
(Yaka-yaka, yaka-yaka, yaka-yaka, yaka-yaka)
Chat too much, full clip unload (La-la-la-la-la-la)
That's that Kodak energy (Ah, la-la, ah, ah)
(Go, let's go, let's go, let's go)
Energy (La-la-la-la-la-la, ah, la-la)
(Yaka-yaka, yaka-yaka, yaka-yaka, yaka-yaka)
Energy (Ah, ah)
(Go, let's go, let's go, let's go)
Energy (La-la-la-la-la-la)
(Yaka-yaka, yaka-yaka, yaka-yaka, yaka-yaka)
Yeah, yeah (Ah)

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.

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