Released: July 29, 2022

Songwriter: Beyoncé Leven Kali Blu June MIKE DEAN Brittany Coney The-Dream Levar Coppin Ink Sal Dali Ricky Lawson Donna Summer Giorgio Moroder Pete Bellotte

Producer: Beyoncé NOVA WAV MIKE DEAN The-Dream Leven Kali Sol Was

[Verse 1]
I wanna house you and make you take my name
I'm gonna spouse you and make you tat your ring
I'm gonna take you all the way
Baby, can I take you all the way?

[Refrain]
You sexy motherfucker, boy, you growin' on me
I just wanna thug you, the category is Bey
You gangster motherfucker, boy, you growin' on me
I just wanna touch you, I can feel it through those jeans

[Pre-Chorus]
Ah-ah-ah-oh (Ooh)
Boy, you never have a chance
If you make my body talk, I'ma leave you in a trance
Got you walking with a limp, bet this body make you dance
Dance, dance, dance

[Chorus]
Ooh, it's so good, it's so good
It's so good, it's so good, it's so good
Ooh, it's so good, it's so good
It's so good, it's so good, it's so good
(Ooh, it's so good, it's so good)
(It's so good, it's so good, it's so good)

[Verse 2]
I wanna crush you, I won't overanalyze
I'm gonna trust you even though we met tonight
But I'm gonna take you all the way
Baby, can I take you all the way?

[Refrain]
You sexy motherfucker, boy, you growin' on me
I just wanna thug you, the category is Bey (You growin' on me)
You gangster motherfucker, boy, you growin' on me (You, you, you growin' on me)
Black silicone and rubbers, I can feel it through those jeans (Growin' on me, I)

[Verse 3]
I'm feeling way too loose to be tied down
Can you see my brain open wide now?
Come and get what I came for, hella night now
Know you love when I roleplay, who am I now?
I'm a doc, I'm a nurse, I'm a teacher
Dominate is the best way to beat ya
Sorry 'bout yesterday, now the sweet stuff
You a sweetie pie, come let me eat ya
(Fuck it up)

[Pre-Chorus]
(Ooh)
Boy, you never have a chance
If you make my body talk, I'ma leave you in a trance
Got you walking with a limp, bet this body make you dance
Dance, dance, dance

[Chorus]
Ooh, it's so good, it's so good
It's so good, it's so good, it's so good
Ooh, it's so good, it's so good
It's so good, it's so good, it's so good

[Bridge]
Applause, a round of applause
Applause, a round of applause
Say I want, want, want, what I want, want, want
(I want, want, want what I want, want, want)
I want, want, want what I want, want, want
(I want, want, want what I want, want, want)
I want your touch, I want your feeling
(I want your touch, I want your feeling)
I want your love, I want your spirit
(I want your love, I want your spirit)
The more I want, the more I need it
(The more I want, the more I need it)
Need it
(Need it)
Versace, Bottega, Prada, Balenciaga
Vuitton, Dior, Givenchy, collect your coins, Beyoncé
So elegant and raunchy, this haute couture I'm flaunting
This Telfar bag imported, Birkins, them shits in storage
I'm in my bag

[Outro]
Ah-ooh
Ah-ooh
Ah-ooh

Beyoncé

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.