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I’M THAT GIRLBeyoncé

Released: July 29, 2022

Songwriter: Beyoncé The-Dream Kelman Duran MIKE DEAN Tommy Wright III Princess Loko Mac-T Dog

Producer: Beyoncé Kelman Duran MIKE DEAN Stuart White Jameil Aossey S1

[Intro]
Please, motherfuckers ain't stop—, please, motherfuckers
Please, mother—, please, mother—, please, motherfuckers
Please-please, mother—, please, mother—, please, mother—, please, mother—
Please, motherfuckers, please, mother—, please, mother—
Plеase-please, mothеrfuckers ain't stoppin' me
Please, motherfuckers ain't stoppin' me
Please, motherfuckers ain't stoppin' me
Please, motherfuckers ain't stoppin' me

[Verse 1]
(How the fuck you figure I ain't a motherfucking pimp)
(When all these niggas be jocking me?)
I pull up in these clothes, look so good
(Pimping till the end, make that cheese, Nitty Green)
(Bitch please, motherfuckers ain't stopping me)
'Cause I'm in that ho
(Playing all these boys like toys, I ain't going)
You know all these songs sound good
(Never hoeing, see they niggas acting like they pimps)
(Try to pimp me, niggas get broke for the end)
(Now I gotta go cause I'm out this bitch)
'Cause I'm on that ho
(Ho nigga— be so bad when I fall up in their place)
Deadass
(Be jealous ass ho with the fake on front)
(Clash about weed, blast a bitch, 9-4 in)
Deadass
(With that funky ass in the trunk)
I'm deadass
(Coming on the scene with the Tommy Hilfiger)
(Nigga self, what you got to make me rich?)
(Never get the pussy 'cause it's off limits, ho)
(Running game when you claiming that other bitch)

[Chorus]
It's not the diamonds
It's not the pearls
I'm that girl (I'm that girl)
It's just that I'm that girl (I'm that girl)
It's not my man (Ooh)
It's not my stance (Ooh)
I'm that girl (I'm that girl)
It's just that I'm that girl

[Verse 2]
From the top of the mornin', I shine (Ah-ooh)
Right through the blinds (Ah-ooh)
Touching everything in my plain view
And everything next to me gets lit up too (Ah)
You see it (Ah-ah-ah-ah), yeah
You see it when you look to me
I didn't want this power (I ain't want it)
I didn't want this power (I ain't want it)

[Bridge]
You know love is my weakness
Don't need drugs for some freak shit
I'm just high all the time, I'm out of my mind
I'm tweakin' (Tweakin', tweakin')

[Verse 3]
Freakin' on the weekend (Yeah)
I'm indecent (Yeah), let it begin (Ooh-ooh-ooh)
I be pullin' up in that '92 DeVille Cadillac with them vogues (Yeah), losin' my mind (Yeah)
Be-be-beastin' (Yeah, ooh-ooh-ooh)
Un-American (Yeah), I don't need no friends (Ah)
I been thuggin' for my (Uh) un-American life lights (Yeah) in these D-Flawless skies (Yeah)
Off the deep end (Yeah)
Such a heathen (Yeah), why they let me outside? (Yeah)
I pull relief in (Yeah)
Bring that beat in (Yeah), now I can breathe again (Yeah)
I be beatin' down the block (Yeah), knockin' Basquiats off the wall-all (Yeah, yeah)
That's how I ball
Cleanse me of my sins
My un-American life

[Outro]
Please, motherfuckers ain't stop—, please, motherfuckers
Please, mother—, please, mother—, please, motherfuckers
Please-please, mother—, please, mother—, please, mother—, please, mother—
Please, motherfuckers, please, mother—, please, mother—
Please-please, motherfuckers ain't stoppin' me
Please, motherfuckers ain't stoppin' me
Please, motherfuckers ain't stoppin' me
Please, motherfuckers

Beyoncé

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.

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