Songwriter: Chris Stein Debbie Harry

Producer: Mike Chapman K-Klass

Toe to toe, dancing very close
Barely breathing, almost comatose
Wall to wall, people hypnotized
And they're stepping lightly
Hang each night in rapture

Back to back, sacroiliac
Spineless movement and a wild attack
Face to face, sightless solitude
And it's finger popping
24-hour shopping in rapture

Fab Five Freddy told me everybody's fly
DJ spinnin' I said "My My"
Flash is fast, Flash is cool
François c'est pas, Flash ain't no dude
And you don't stop, sure shot
Go out to the parking lot
And you get in your car and drive real far
And you drive all night and then you see a light
And it comes right down and it lands on the ground
And out comes a man from Mars
And you try to run but he's got a gun
And he shoots you dead and he eats your head
And then you're in the man from Mars
You go out at night eatin' cars
You eat Cadillacs, Lincolns too
Mercurys and Subaru
And you don't stop, you keep on eatin' cars
Then, when there's no more cars you go out at night
And eat up bars where the people meet
Face to face, dance cheek to cheek
One to one, man to man
Dance toe to toe, don't move too slow
'Cause the man from Mars is through with cars
He's eatin' bars, yeah wall to wall
Door to door, hall to hall
He's gonna eat 'em all
Rap-ture, be pure
Take a tour through the sewer
Don't strain your brain, paint a train
You'll be singin' in the rain
Said don't stop to punk rock

Man to man, body muscular
Seismic decibel, bite the jugular
Wall to wall, tea time technology
And a digital ladder
No sign of bad luck in rapture

Well now you see what you wanna be
Just have your party on TV
'Cause the man from Mars
Won't eat up bars where the TV's on
Now he's gone back up to space
Where he won't have a hassle with the human race
And you hip-hop, and you don't stop
Just blast off, sure shot
'Cause the man from Mars stopped eatin' cars
And eatin' bars and now he only eats guitars, get up

Blondie

Blondie is an American rock band founded by singer Deborah Harry and guitarist Chris Stein. The band was a pioneer in the early American new wave and punk scenes of the mid-1970s. Their first two albums contained strong elements of these genres, and although successful in the United Kingdom and Australia, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles including “Call Me”, “Atomic” and “Heart of Glass” and became noted for its eclectic mix of musical styles incorporating elements of disco, pop, rap, and reggae, while retaining a basic style as a new wave band.