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Chemical WorldBlur

Released: June 28, 1993

Songwriter: Graham Coxon Dave Rowntree Alex James Damon Albarn

Producer: Stephen Street

[Verse 1]
The pay-me girl has had enough of the bleeps
So she takes the bus into the country
Although she got herself rosy cheeks
She didn't leave enough money to pay the rent
The landlord says that she's out in a week
What a shame, she was just getting comfy
Now she's eating chocolate to induce sleep
And in a chemical world, it's very, very, very cheap

[Chorus]
And I don't know about you
But they're putting the holes in, yes, yes
It's been a hell of a do
They've been putting the holes in, yes, yes

[Verse 2]
Peeping Thomas has a very nice view
Across the street at the exhibitionist
These townies, they never speak to you
Just stick together so they never get lonely
Feeling lead, feeling quite light-headed
Had to sit down and have some sugary tea
In a chemical world, in a chemical world
It's very, very, very cheap

[Chorus]
And I don't know about you
But they're putting the holes in, yes, yes
It's been a hell of a do
They've been putting the holes in, yes, yes, yes

[Instrumental break]

[Chorus]
I don't know about you
But they're putting the holes in, yes, yes
It's been a hell of a do
They've been putting the holes in, yes, yes
And now she's right out of view
They've been putting the holes in, yes, yes
Well, I don't know about you
They've been putting the holes in, yes, yes

[Outro]
Until you can see right through
Until you can see right through
Until you can see right through

Blur

British rock group Blur formed in 1988 and began life as a fairly unsuccessful shoegaze/madchester outfit, but the band quickly developed into becoming one of the leaders of the massive 1990s Britpop scene.

Their rivalry with contemporaries Oasis culminated in one of the most famous chart battles in British history – one which Blur won when “Country House” outsold Oasis’s “Roll With It” by 50,000 copies, giving Blur their first #1 single in the process.

Following this, the group embarked on a new musical direction, deliberately heading away from their trademark Britpop sound and instead taking influences from American alternative rock, a sound which earned them new fans in the US and gave them their second UK #1: “Beetlebum” in 1997.

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