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Rednecks (Take 1)Blur

Released: January 1, 2012

[Intro]
How you doin' there boys? (Howdy!)
Cool to be here
I want you all at home to just sit tight
Listen to what we have to say
Cos that way we'll all get on fine
As long as there's no fuckin' tea bags there

(America's bigger than England)
OK here we go!

[Verse 1]
I'm a truckin' redneck and I just refuse to die
I was built big and strong on the states past apple pie
I'm better than them limey pinheads in Europe-y
Twelve gauge in their back, hell it would stop their mopin'
I'm a truckin' redneck and I just refuse to die

(I won't die)
(Will you die? Will you die?)
(I'm not gonna die)
You're American damnit! We're playin' billiards here!
(Apple pie, no die)

[Verse 2]
Get free coffee fill-ups at my best favourite's Denny's place
Find a couple of tea bags and I kick them in the face
Sure is damn good pinchin' the ass of that waitress
When I go on tour, gonna get me... fuck, I've fucked it
(Keep going! Keep going! Keep going!)

[Verse 2 - Take 2]
Get free coffee fill-ups at my favourite Denny's bar
(We've already heard that boy! Say something new!)
Find a couple of tea bags and I kick them in the shit

[Verse 2 - Take 3]
Get free coffee fill-ups at my favourite Denny's place
...ah, shall we do it again?
(We've got it! We've got it! We've got it already!)
No I didn't do me "pinchin' the waitress ass"
(No we've got it)
It's got to be... I didn't! I didn't, I fucked up!
(You did, it was great! It was great, honestly, trust me ... take it back to the beginning)

Blur

British rock group Blur formed in 1988 and began life as a fairly unsuccessful shoegaze/madchester outfit, but the band quickly developed into becoming one of the leaders of the massive 1990s Britpop scene.

Their rivalry with contemporaries Oasis culminated in one of the most famous chart battles in British history – one which Blur won when “Country House” outsold Oasis’s “Roll With It” by 50,000 copies, giving Blur their first #1 single in the process.

Following this, the group embarked on a new musical direction, deliberately heading away from their trademark Britpop sound and instead taking influences from American alternative rock, a sound which earned them new fans in the US and gave them their second UK #1: “Beetlebum” in 1997.

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