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Best DaysBlur

Released: September 11, 1995

Songwriter: Damon Albarn Dave Rowntree Alex James Graham Coxon

Producer: Stephen Street

[Verse 1]
Bow bells say goodbye to the last train
Over the river, they all go again
Out into leafy nowhere
Hope someone's waiting out there for them
Cabbie has his mind on a fare to the sun
He works nights but it's not much fun
Picks up the London yo-yo's
All on their own down Soho, take me home

[Chorus]
Other people wouldn't like to hear you
If you said that these are the best days of our lives
Other people turn around and laugh at you
If you said that these are the best days of our lives

[Verse 2]
Trellick Tower's been calling
I know she'll leave me in the morning
In hotel cells, listening to dial tones
Remote controls and cable moans
In his drink, he's talking
Gets disconnected sleepwalking back home

[Chorus]
Other people wouldn't like to hear you
If you said that these are the best days of our lives
Other people turn around and laugh at you
If you said that these are the best days of our lives
Of our lives

[Instrumental break]

[Chorus]
Other people wouldn't like to hear you
If you said that these are the best days of our lives
Other people turn around and laugh at you
If you said that these are the best days of our lives
Other people break into a cold sweat
If you said that these are the best days of their lives
And other people turn around and laugh at you
If you said that these are the best days of our lives
Of our lives

Blur

British rock group Blur formed in 1988 and began life as a fairly unsuccessful shoegaze/madchester outfit, but the band quickly developed into becoming one of the leaders of the massive 1990s Britpop scene.

Their rivalry with contemporaries Oasis culminated in one of the most famous chart battles in British history – one which Blur won when “Country House” outsold Oasis’s “Roll With It” by 50,000 copies, giving Blur their first #1 single in the process.

Following this, the group embarked on a new musical direction, deliberately heading away from their trademark Britpop sound and instead taking influences from American alternative rock, a sound which earned them new fans in the US and gave them their second UK #1: “Beetlebum” in 1997.

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