Released: February 1, 2013

Songwriter: BONES

Producer: Phedee

[Intro]

Welcome to the SESH Lounge
Give it up for your first act, Bones

[Verse]

I need it bad like a sickness with no remedy
I'm lookin' rich so they actin' like a friend of me
I ask once and they say there's no offending me
Tell 'em keep the two cents cuz they ain't gettin' shit from me
Around the globe twice with the sings of flow
Deltron 3030 blast in my home
New ones on the stove no milk in the fridge, gotta get this money and I gotta get it quick
I'm so much better, cold in any weather
30 below zero no shirt no sweater
Onto the shit they'll be on in 10 years
5 beats 5 mics 10 murders 10 tears
I drop one whenever they pop guns
Hoods already shot no need for shotguns

[Hook]

Trey full of blunts, glass full of gin, pool full of Alize if you tryna swim
Trey full of blunts, glass full of gin, pool full of Alize if you tryna swim
Trey full of blunts, glass full of gin, pool full of Alize if you tryna swim

BONES

Elmo Kennedy O'Connor (b. January 11th, 1994), popularly known as BONES (formerly Th@ Kid), is an underground rapper from Muir Beach, CA. He is one of the four members of the “Seshollowaterboyz” and has actively released music under several other aliases, such as surrenderdorthy, OREGONTRAIL, and Ricky A Go-Go.

During his childhood, he and his family moved to the small town of Howell, Michigan where he attended school. Eventually, he dropped out at the age of 16 to pursue rap music. His brother, Elliot O'Connor, now Bones' manager, suggested Elmo come live with him in Los Angeles, California. There, he recorded most of his mixtapes and eventually met Xavier Wulf, Chris Travis, and Eddy Baker, people he eventually toured and performed with under their collective name SeshHollowWaterboyz (SHWB). He is of Irish ancestry and also the grandson of actor Robert Culp.

He’s known for his “emo rap” style of music, which is labeled as strictly his own, as well as the rapid rate he releases music (including 100 music videos and over 50 mixtapes), his resistance to joining major record labels, and charging money for his music, despite major interest by many.