Released: July 24, 2016

Songwriter: BONES

Producer: Vegard

[Verse 1]
My head hurt, I need to lie down (Yeah, yeah)
Play me too loud, I need to pipe down
Lights down, my hair is up
My stare is like looking into the fire's eyes
Come around my way and you'll get

[Chorus]
Burnt to a crisp like that
Before you even get the chance to fight back
I know what you're thinking
"Why so quick to flip it? Bones, now you always tripping"
No, I'm just fucking sick of clones thinking that they killin' it

[Verse 2]
Stalactite dripping out your flashlight
Glitching you in flashback transmission
I suppose this is the ending for the story that you call your life
Take the binders, rip the spine, every page is getting burnt
Now every breath you take is mine (What?)

[Chorus]
Burnt to a crisp like that
Before you even get the chance to fight back
I know what you're thinking
"Why so quick to flip it? Bones, now you always tripping"
No, I'm just fucking sick of clones thinking that they killin' it

BONES

Elmo Kennedy O'Connor (b. January 11th, 1994), popularly known as BONES (formerly Th@ Kid), is an underground rapper from Muir Beach, CA. He is one of the four members of the “Seshollowaterboyz” and has actively released music under several other aliases, such as surrenderdorthy, OREGONTRAIL, and Ricky A Go-Go.

During his childhood, he and his family moved to the small town of Howell, Michigan where he attended school. Eventually, he dropped out at the age of 16 to pursue rap music. His brother, Elliot O'Connor, now Bones' manager, suggested Elmo come live with him in Los Angeles, California. There, he recorded most of his mixtapes and eventually met Xavier Wulf, Chris Travis, and Eddy Baker, people he eventually toured and performed with under their collective name SeshHollowWaterboyz (SHWB). He is of Irish ancestry and also the grandson of actor Robert Culp.

He’s known for his “emo rap” style of music, which is labeled as strictly his own, as well as the rapid rate he releases music (including 100 music videos and over 50 mixtapes), his resistance to joining major record labels, and charging money for his music, despite major interest by many.