Released: November 1, 2018

Songwriter: BONES

Producer: Musa (KingofBabylon)

[Intro]
What? What?

[Verse]
Привет, bitch, как дела?
Tell the reaper, hurry up, like arriba
The Terminator of the game, like "I'll be back"
I did whatever it took to, never a 9 to 5
No, don't you lie, no, don't you cry
Light the fuse and I'll blow like the 4th of July
You will comply, or I will supply your life
With such pain that is hard to describe
I am hard to define I'm rather off in design
Hate life to the point there ain't shit I desire
Said you'd pull up on me
But you've yet to come by
Injected with lies, infected with rhymes
What is it that you do, come and please remind
I'm the type of machine that put you in rewind
Bring you back to the very first time
You have ever felt fear running down your spine

[Chorus]
Bitch, don't say shit
Right click, save it
I gotta Vanquish
Hope you think I ain't shit
Bitch, don't say shit
Right click, save it
I gotta vanquish
Hope you think I ain't shit

BONES

Elmo Kennedy O'Connor (b. January 11th, 1994), popularly known as BONES (formerly Th@ Kid), is an underground rapper from Muir Beach, CA. He is one of the four members of the “Seshollowaterboyz” and has actively released music under several other aliases, such as surrenderdorthy, OREGONTRAIL, and Ricky A Go-Go.

During his childhood, he and his family moved to the small town of Howell, Michigan where he attended school. Eventually, he dropped out at the age of 16 to pursue rap music. His brother, Elliot O'Connor, now Bones' manager, suggested Elmo come live with him in Los Angeles, California. There, he recorded most of his mixtapes and eventually met Xavier Wulf, Chris Travis, and Eddy Baker, people he eventually toured and performed with under their collective name SeshHollowWaterboyz (SHWB). He is of Irish ancestry and also the grandson of actor Robert Culp.

He’s known for his “emo rap” style of music, which is labeled as strictly his own, as well as the rapid rate he releases music (including 100 music videos and over 50 mixtapes), his resistance to joining major record labels, and charging money for his music, despite major interest by many.