Released: March 2, 1972

Songwriter: Peter Brown (UK) Jack Bruce

Producer: Felix Pappalardi

Upon this street where time has died
The golden treat you never tried
In times of old, in days gone by
If I could catch your dancing eye

It was on the way
On the road to dreams, yeah
Now my heart's drowned in no love streams, yeah

The street is cold, its trees are gone
The story's told the dark has won
Once we set sail to catch a star
We had to fail, it was too far

It was on the way
On the road to dreams, yeah
Now my heart's drowned in no love streams

I felt the wind shout like a drum
You said, "My friend, love's end has come"
It couldn't last, had to stop
You drained it all to the last drop

It was on the way
On the road to dreams, yeah
Now my heart's drowned in no love streams
Now my heart's drowned in no love streams, yeah

On this dark street, the sun is black
The winter life is coming back
On this dark street, it's cold inside
There's no retreat from time that's died

It was on the way
On the road to dreams
Now my heart's drowned in no love streams
Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah
Now my heart's drowned in no love streams, yeah
Now my heart's drowned in no love

Cream

The members of this power trio, formed in the autumn of 1966, were all veterans of the blues revival. Guitarist Eric Clapton was the same prodigy who revealed himself with the Yardbirds, and who had contributed to the legendary recording of Bluesbreakers with John Mayall. Drummer Peter “Ginger” Baker, skilled at many forms of percussion, had already played, in 1960, with the Nigerian musician Fela Anikulapo Kuti, and in 1962 with Alexis Korner and the Graham Bond Organisation. Scottish bassist Jack Bruce had traveled some of the same roads as Baker, before joining Manfred Mann. Bruce and Clapton had met each other in the Powerhouse, a short-lived lineup put together by John Mayall, that also included Steve Winwood at the keyboard. With Cream these three virtuosos simply brought to fruition the experience that they developed in the London clubs, bringing to the rock concert stage long, electric, high volume improvisations.