Songwriter: Lou Reed

I'm waiting for the man
Twenty-six dollars in my hand
Up to Lexington 1-2-5
So sick and dirty, more dead than alive
I'm waiting for the man

Hey white boy, what you doin' in town
Hey white boy, chasin' all the women around
Oh pardon me, sir, it's the last thing on my mind
I'm just looking for a good friend of mine
I'm waiting for the man

Here he comes, he's all dressed in black
Real shoes and a big straw hat
He's never early, he's always late
First thing you learn is that you always gotta wait
I'm waiting for the man

Big dirty building, up three flights of stairs
Nobody stops you 'cause nobody cares
He's got the works, gives you sweet taste
Then you gotta split because he's got no time to waste
I'm waiting for the man

Baby, don't you holler, darlin', don't you bawl and shout
I'm feeling good, I'm gonna work it on out
I'm feeling good, I'm feeling so fine
Until tomorrow but that's just another time
I'm waiting for the man

I'm waiting for the man
Twenty-six dollars in my hand
Up to Lexington 1-2-5
So sick and dirty, more dead than alive
I'm waiting for the man
Waiting for the man

To welcome me home

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.