Released: April 14, 1983

Songwriter: David Bowie

Producer: Nile Rodgers David Bowie

[Verse 1]
Like weeds on a rockface waiting for the scythe
Ricochet - ricochet
The world is on a corner waiting for jobs
Ricochet - ricochet
Turn the holy pictures so they face the wall
"And who can bear to be forgotten"
"And who can bear to be forgotten"

[Chorus]
March of flowers, march of dimes
These are the prisons, these are the crimes
"Men wait for news while thousands are still asleep
Dreaming of tramlines, factories, pieces of machinery
Mine shafts things like that."
March of flowers, march of dimes
These are the prisons, these are the crimes
Sound of thunder, sound of gold
Sound of the devil breaking parole
Ricochet - it's not the end of the world

[Verse 2]
Sound of thunder, sound of gold
Sound of the devil breaking parole
Ricochet - ricochet
These are the prisons these are the crimes
Teaching life in a violent new way
Ricochet - ricochet
Turn the holy pictures so they face the wall
"And who can bear to be forgotten"
"And who can bear to be forgotten"

[Chorus]
March of flowers, march of dimes
These are the prisons, these are the crimes
"Early, before the sun
They struggle off to the gates
In their secret fearful places they see their lives
Unraveling before them"
March of flowers - march of dimes
These are the prisons, these are the crimes
Sound of thunder, sound of gold
Sound of the devil breaking parole
Ricochet - it's not the end of the world

[Verse 3]
"That's when they get home, damp eyed and weary
They smile and crush their children to their heaving chests
Making unfulfillable promises
For who can bear to be forgotten"

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.