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Round and RoundDavid Bowie

Songwriter: Chuck Berry

Producer: Ken Scott David Bowie

Well, the joint was rocking

Going round 'n' round
Yeah, reeling and a-rocking
What a crazy sound
Well, they never stopped rocking
'Til the moon went down

Well it sounded so sweet
I had to take me a chance
I rose out of my seat
And had to dance
I started moving my feet
And clapping my hands

Yeah, we kept on rocking

Going round 'n' round
Yeah, reeling and a-rocking
What a crazy sound
Well, they never stopped rocking
'Til the moon went down

About twelve o'clock
When the place was packed
The front doors were locked
I said the place was packed
When the police knocked
Those doors flew back

But kept on rocking

Going round 'n' round
Yeah, reeling and a-rocking
What a crazy sound
Well, they never stopped rocking
'Til the moon went down

Yeah

About twelve o'clock
Around lock up time
Well, the doors were locked
Said the place was packed
When the police knocked
Those doors flew back

But it kept on rocking

Going round 'n' round
Yeah, reeling and a-rocking
What a crazy sound
Well, they never stopped rocking
'Til the moon went down

Yeah, it kept on rocking

Going round 'n' round
Yeah, reeling and a-rocking
What a crazy sound
Well, they never stopped rocking
'Til the moon went down

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.

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