Released: November 14, 2019

Songwriter: David Bowie

Producer: Tony Visconti

[Intro]
I was walking through the counters of a national concern
And a cash machine was spitting by my shoulder

[Verse 1]
And I saw the multitude of faces, honest, rich and clean
As the merchandise exchanged and money roared
And a woman hot with worry slyly slipped a tin of stewing steak
Into the paper bag at her side
And her face was white with fear in case her actions were observed
So she closed her eyes to keep her conscience blind

[Chorus 1]
Crying
God knows I'm good
God knows I'm good
God knows I'm good
God may look the other way today
God knows I'm good
God knows I'm good
God knows I'm good
God may look the other way today

[Verse 2]
Then she moved toward the exit clutching tightly at her paper bag
Perspiration trickled down her forehead
And her heart it leapt inside her as the hand laid on her shoulder
She was led away bewildered and amazed
Through her deafened ears the cash machines were shrieking on the counter
As her escort asked her softly
For her name
And a crowd of honest people rushed to help a tired old lady
Who had fainted to the whirling
Wooden floor

[Outro Chorus]
Crying
God knows I'm good
God knows I'm good
God knows I'm good
Surely God won't look the other way
God knows I'm good
God knows I'm good
God knows I'm good
Surely God won't look the other way

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.