Released: July 14, 2009

Featuring: 9 to 5 Original Broadway Cast

Songwriter: Dolly Parton

[COMPANY]
Nine to five
What a way to make a living
It's now less uptight
It's less taking and more giving
Want to move ahead
And now that I can do it
Better get my rear in gear and get right to it

Nine to five
Hallelujah, hallelujah
Ooh, thank the Lord no one's trying to sock it to ya
Praise and glory to the ones that made a difference
Joy to the girls, we've all been delivered

[GROUP 1 (WOMEN)]
Nine to five, working nine to five
Nine to five, working nine to five

[GROUP 2 (WOMEN)]
Nine to five, you can lose your mind
Get up and work, get up and work
Get up and work, get up and work

[GROUP 3 (MEN)]
Oooh!
Oooh!

[COMPANY]
Nine to five you can lose your mind. Get up and work, get up and work
Get up and work, get up and work
Working nine to five
Nine to five!

Dolly Parton

Dolly Rebecca Parton (born January 19, 1946) is an American singer-songwriter, multi-instrumentalist, actress, author, and philanthropist, best known for her work in country music

Beginning her career as a child performer, Parton issued a few modestly successful singles from 1959 through the mid-1960s, showcasing her distinctive soprano voice. She came to greater prominence in 1967 as a featured performer on singer Porter Wagoner’s weekly television program; their first duet single, a cover of Tom Paxton’s “The Last Thing on My Mind”, was a top-ten hit on the country singles charts, and led to several successful albums before they ended their partnership in 1974. Moving towards mainstream pop music, Parton’s 1977 single “Here You Come Again” was a success on both the country and pop charts. A string of pop-country hits followed into the mid-1980s, the most successful being her 1981 hit 9 to 5" (from the film of the same name), and her 1983 duet with Kenny Rogers “Islands in the Stream”, both of which topped the U.S. pop and country singles charts. A pair of albums recorded with Linda Ronstadt and Emmylou Harris were among her later successes. In the late 1990s, Parton returned to classic country/bluegrass with a series of acclaimed recordings