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I Must ConfessEverything But The Girl

Songwriter: Ben Watt

Producer: Robin Millar

[Verse 1]
You kissed my head as you stood in the door
And then you said: "Don't wanna see you no more"
All I could say as you walked out on me
Was how I hoped you'd remembered your key
Took one last look
Took the phone of the hook
I must confess I agree

[Bridge]
All those days when I went through a phase
Of missing the love that you bore
In retrospect there's something I can't neglect
I was missing a love but not yours

[Sax Solo]

[Bridge]
The love that you bore that thing that I once adored
Was no gift that you gave me each time
Thinking again, what a fool I was then
It was a trophy of yours and a burden of mine

[Verse 2]
As you stood in the door
Then you said: "Don't wanna see you no more"
All I could say as you walked out on me
Was how I hoped you'd remembered your key
Took one last look
Took the phone of the hook
I must confess I agree

Everything But The Girl

Originating at the turn of the 1980s as a leader of the lite-jazz movement, Everything but the Girl became an unlikely success story more than a decade later, emerging at the vanguard of the fusion between pop and electronica.

Founded in 1982 by Hull University students Tracey Thorn and Ben Watt, the duo took their name from a sign placed in the window of a local furniture shop, which claimed “for your bedroom needs, we sell everything but the girl.” At the time of their formation, both vocalist Thorn and songwriter/multi-instrumentalist Watt were already signed independently to the Cherry Red label; Thorn was a member of the sublime Marine Girls, while Watt had issued several solo singles and also collaborated with Robert Wyatt.

Everything but the Girl debuted in 1982 with a samba interpretation of Cole Porter’s “Night and Day”; the single was a success on the U.K. independent charts, but the duo nonetheless went on hiatus as Thorn recorded a solo EP, A Distant Shore, while Watt checked in with the full-length North Marine Drive in 1983. EBTG soon reunited to record a cover of the Jam’s “English Rose” for an NME sampler; the track so impressed former Jam frontman Paul Weller that he invited the duo to contribute to the 1984 LP Cafe Bleu, the debut from his new project, the Style Council.

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