Songwriter: John Parr Betsy Durkin Matthes

Producer: Peter Solley

They call her Angel
She's the devil's child
Just for the hell of it
She drives men wild

Just like the spider
Hypnotizing the fly
She works them over
Then she drains them dry

You can't deny her
Even though you try

She's a bird of prey
And she's getting her revenge
By tearing out the hearts
Of all the sad and family men

She's gonna love ya to death
Beware, there's evil in the dark
Her lovers all play a part
In some bizarre duet
She's gonna love ya to death
You're just a man without a name
Mixing passion with her pain

You'll feel the panic in your breathing
Lying there your body bleeding
Drowning in your seat (ah ah)
She's gonna love ya to death

She hands around the bar
And dressed to kill
If her perfume don't get â??em

John Parr

John Parr (born 18 November 1952) is a Grammy-nominated English musician, best known for his 1985 US #1 single “St. Elmo’s Fire (Man in Motion)” and for his 1984 single “Naughty Naughty” (US Rock #1). Parr was nominated for a Grammy award for “St Elmo’s Fire” in 1985.

Parr first entered the music scene when he was 12 years old and formed a band with two fellow schoolmates, which they named The Silence. The band had achieved some success. They eventually became professional and started to tour Europe. He then joined a band named Bitter Suite who were a huge success in the working men’s clubs in Yorkshire, he then formed a “Super Band” with musicians from other working men’s club bands, and named the band Ponders End , a band that set a new precedent for the bands in the north.

Parr secured a publishing deal with Carlin America in 1983 and in the same year Meat Loaf asked him to write some songs for his new album. It led to a fateful meeting with John Wolff, who was tour manager for The Who. Foreseeing the initial demise of The Who, Wolff was looking for a new venture and considered Parr to be a suitable partner. Parr first visited America in 1984 and worked with Meat Loaf on Bad Attitude. Meanwhile, Wolff secured Parr’s solo Atlantic recording deal in New York.