Songwriter: Michael McDonald Kenny Loggins

Producer: Bruce Botnick Kenny Loggins

Maybe it's true what they say about it
Maybe we can't make the ends meet
Maybe we'll all have to do without it
Maybe this world's just incomplete
Still we all look for truth in our lives
Searching from different sides
If it's so hard living in a desperate world
But we all do the best that we can

Some people dream a change
Some will remain the same
All of us live their lives
Under the gun
Some see the road as clear
Some say the end is here
They say it's a hopeless fight
But I say, I gotta try

Maybe there's too much to think about
Maybe there just ain't nothing left to say
But if our time's really running out
Then this is no time to run away
'Cause we're destined to look for truth in this life
Blinded by tearful eyes
If it's no use trying in a desperate world
Then tell me, why was I born?

Some people see a change
Some will remain the same
All of us live their lives
Under the gun
Some see the road as clear
Some say the end is here
They say it's a hopeless fight
But I say, I gotta try

Lonely, living so lonely
Is it too late
To turn it all around?

Some people dream a change
Some will remain the same
All of us live their lives
Under the gun
Some see the road as clear
Some say the end is here
They say it's a hopeless fight
But I say, I gotta try

I gotta change
The world just remains the same
All of us live our lives
Under the gun
Someone's sleeping
Someone's giving up
Someone's trying
Someone's crying out
Still we live under the gun

Kenny Loggins

Singer, songwriter, and guitarist Kenny Loggins has enjoyed more than three decades of success in the music business, as a songwriter and performer, mostly in a soft rock vein. He was born Kenneth Clarke Loggins in Everett, WA in early 1948, and the family later moved to Detroit, and finally to Alhambra, CA when he was in his teens. He initially turned to music as a way of compensating for his extreme shyness, and found that he was, indeed, a talented guitarist and had a voice. For a time in the late ‘60s he was based in Pasadena, studying at Pasadena City College. At the end of the decade, Loggins passed through the lineup of a band called Gator Creek, who were good enough to get signed to Mercury Records. The group recorded one self-titled album, which was issued in 1970 and included an early version of “Danny’s Song,” a track that he later recorded again as part of Loggins & Messina. He also spent time with a short-lived group called Second Helping, and was a member of the stage incarnation of the Electric Prunes during a later phase of that group’s history.

Loggins was proficient on the guitar and piano, but it was his songwriting that allowed him to make his first lasting impression on the music industry. He took a job as a staff writer for Wingate Music, for $100.00 a week, and later that year four of his songs ended up on the Nitty Gritty Dirt Band album Uncle Charlie & His Dog Teddy. This event was particularly fortuitous, as that album was the first release by the newly reconstituted version of the group, and included what proved to be their biggest hit, “Mr. Bojangles.” The presence of the latter helped make Uncle Charlie one of the group’s biggest selling long-players; and the exposure generated a second hit in the form of Loggins’ own “House at Pooh Corner.”

The success of the Nitty Gritty Dirt Band’s recordings brought Loggins to the attention of former Poco member Jim Messina, who was working as a staff producer at CBS. It was Messina’s intention to produce Loggins' debut album, but he also ended up playing and singing on the record, and it worked out so well that the two ended up in a duo. Loggins & Messina were among the most popular folk-based soft rock acts of the first half of the ‘70s and enjoyed a four-year string of successful albums.