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Heart to HeartKenny Loggins

Songwriter: Kenny Loggins David Foster Michael McDonald

Producer: Bruce Botnick Kenny Loggins

[Verse 1]
You ain't crazy
I ain't gonna lie anymore
What you're feelin'
There's a reason for
I wanna do right
Oh, gotta do right

Do I love you, oh
You know I've tried
But what you're after
You can't find in my eyes
I'm gonna do right

[Pre-Chorus 1]
Darlin'
Tell the truth
Don't turn away
This is our last chance
To touch each other's heart

[Chorus]
Does anything last forever
I don't know
Maybe we're near the end
(So darlin' tell me)
So darlin', oh
How can we go on together
Now that we've grown apart, oh no
Well, the only way to start
Is heart to heart

[Verse 2]
One by one
We're collecting lies
When you can't give love
You give alibis
Now, I'm gonna do right
This time I got to do right

I don't wanna leave
I don't wanna say goodbye
Sooner or later, honey
There comes a time
Mama, when you gotta do right
Come on, come on

[Pre-Chorus 2]
Darlin'
Tell the truth
Don't turn away
From this one last chance to
Touch each other's heart

[Chorus]
Does anything last forever
I don't know
Maybe we're near the end
(So darlin' tell me)
So darlin', oh
How can we go on together
Now that we've grown apart, oh no
Well, the only way to start
Is heart to heart

[Bridge]
Why are you so torn apart
I need a little more
Loving in my heart
People say that love will grow
So how was I to know
Love that's come
Through years and years
Can't find a way
Back home anymore

[Pre-Chorus 3]
Darlin'
Tell me the truth
Don't turn away
This is our final chance to
Touch each other's heart

[Chorus]
Does anything last forever
I don't know
(So darlin' tell me)
Maybe we're near the end
So, darlin', oh
How can we go on together
Now that we've grown apart
Well, the only way to start
Is heart to heart

Does anything last forever
I don't know but
But maybe we're near the end
(So darlin' tell me)
So, darling, oh
How can we go on together
Now that we've grown apart
Well, the only way to start
Is heart to heart

Kenny Loggins

Singer, songwriter, and guitarist Kenny Loggins has enjoyed more than three decades of success in the music business, as a songwriter and performer, mostly in a soft rock vein. He was born Kenneth Clarke Loggins in Everett, WA in early 1948, and the family later moved to Detroit, and finally to Alhambra, CA when he was in his teens. He initially turned to music as a way of compensating for his extreme shyness, and found that he was, indeed, a talented guitarist and had a voice. For a time in the late ‘60s he was based in Pasadena, studying at Pasadena City College. At the end of the decade, Loggins passed through the lineup of a band called Gator Creek, who were good enough to get signed to Mercury Records. The group recorded one self-titled album, which was issued in 1970 and included an early version of “Danny’s Song,” a track that he later recorded again as part of Loggins & Messina. He also spent time with a short-lived group called Second Helping, and was a member of the stage incarnation of the Electric Prunes during a later phase of that group’s history.

Loggins was proficient on the guitar and piano, but it was his songwriting that allowed him to make his first lasting impression on the music industry. He took a job as a staff writer for Wingate Music, for $100.00 a week, and later that year four of his songs ended up on the Nitty Gritty Dirt Band album Uncle Charlie & His Dog Teddy. This event was particularly fortuitous, as that album was the first release by the newly reconstituted version of the group, and included what proved to be their biggest hit, “Mr. Bojangles.” The presence of the latter helped make Uncle Charlie one of the group’s biggest selling long-players; and the exposure generated a second hit in the form of Loggins’ own “House at Pooh Corner.”

The success of the Nitty Gritty Dirt Band’s recordings brought Loggins to the attention of former Poco member Jim Messina, who was working as a staff producer at CBS. It was Messina’s intention to produce Loggins' debut album, but he also ended up playing and singing on the record, and it worked out so well that the two ended up in a duo. Loggins & Messina were among the most popular folk-based soft rock acts of the first half of the ‘70s and enjoyed a four-year string of successful albums.

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