Korn

Released: July 13, 2010

Songwriter: Reginald “Fieldy” Arvizu Jonathan Davis Ray Luzier James “Munky” Shaffer

Producer: Ross Robinson

[Verse 1]
All the lying and cheating
Will surely bite you
Dishonesty tears you apart
And will eat you
All the anger and pain
And the suffering and the shame
And the voices in your brain
Will surely haunt you
Let the guilt go
Let the guilt go
Let the guilt go
Let the guilt go

[Chorus]
I tell you one thing which leads to another thing
Then I backtrack which leads to hurt feelings
Then my brain spins off of fucking everything
When this happens, I can't break through

[Verse 2]
All the anger, the pain
And the suffering and the shame
And the voices in your brain
Will really haunt you
Let the guilt go
Let the guilt go
Let the guilt go
Let the guilt go

[Chorus]
I tell you one thing which leads to another thing
Then I backtrack which leads to hurt feelings
Then my brain spins off of fucking everything
When this happens, I can't break through

[Bridge]
Now we waste our lives away!
Letting guilt lead the way!

[Brige]
I'm such a stupid fuck
Listening to my head and not my gut
Constantly thinking, thinking, thinking
And thinking and thinking and thinking
And thinking, and thinking, and thinking
And thinking, I'm screaming!
Now we waste our lives away!
Letting guilt lead the way!

[Chorus]
I tell you one thing which leads to another thing
Then I backtrack which leads to hurt feelings
Then my brain spins off of fucking everything
When this happens, I can't break through
I tell you one thing which leads to another thing
Then I backtrack which leads to hurt feelings
Then my brain spins off of fucking everything
When this happens, I can't break through

Bakersfield friends James “Munky” Shaffer, Reginald “Fieldy” Arvizu and David Silveria formed the funk-rock band LAPD in 1989 and moved to Los Angeles with another friend Brian “Head” Welch as their roadie. Later, with Welch as second guitarist, the band named themselves Creep and recorded a demo with pal Ross Robinson.

However, when Shaffer and Welch visited family in Bakersfield, they met Jonathan Davis who added a darker, goth-tinged edge to the band’s heavy groove. Robinson

The band wasn’t dark yet; it had, like, killer grooves and good riffs, but there was some happy edge to it. And when (Davis) walked into the room, it went dark and goth. Basically, during the first song, to audition in the rehearsal room, he started freaking the hell out [laughs]. You couldn’t hear his voice, but you felt chills all over your body, and it was instantly like, “Oh my God, yeah – he’s the one.”

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