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Love at First Sight (Kid Creme Vocal Dub)Kylie Minogue

Released: June 10, 2002

Songwriter: Martin Harrington Ash Howes Julian Gallagher Richard “Biff” Stannard Kylie Minogue

Producer: Kid Creme

[Hook]
If you think we're meant to be as one
Hold on, the party's just begun
Don't you know, I've got what you need to blow your mind?
'Cuz if it's the love that I can fix, well I can do it in the mix

Love
Love ... first sight
(At first sight)
If it's the love that I can fix, well I can do it in the mix

When I heard you
Meant to be as one

[Hook]
If you think we're meant to be as one
Hold on, the party's just begun
I've got what you need to blow your mind?
'Cuz if it's the love that I can fix, well I can do it in the mix

{Pre-Chorus]
And everything went from wrong to right
And the stars came out and filled up the sky
The music you were playing really blew my mind
It was love at first sight
Love at first sight
Love at first sight
Love

'Cuz if it's the love that I can fix, well I can do it in the mix

Kylie Minogue

Kylie Minogue is an Australian singer, songwriter, and actress. Often referred to as the Goddess of Pop with a career spanning over 30 years, she has transformed from girl-next-door soap star to ‘90s pop starlet, and short-lived indie darling to bona fide superstar.

Kylie earned her first big break on the Australian soap opera Neighbours, playing tomboy mechanic Charlene Mitchell. An on-screen romance with Jason Donovan – who played Scott Robinson – blossomed into a real-life relationship, and their wedding on the soap drew in millions of viewers. However, her real ambition was a successful career in music, and by 1988 her debut album, Kylie, was released, reaching #1 in the UK and Australia. Notching up 10 UK Top 3 singles by 1993, she was one of the defining popstars of the early ‘90s. Her follow-ups to the debut album – Enjoy Yourself, Rhythm of Love and Let’s Get To It – all reached the Top 15 in the UK.

With a blossoming relationship with late INXS frontman Michael Hutchence, Kylie was encouraged to be more ambitious with her image and sound. As such, she left her former label, PWL, and released the daring “Confide In Me” in early 1994. Critics praised her re-invention, and the single restored the success she had somewhat lost with her previous album. Impossible Princess was another critical success but failed to make much of an impact on the charts, which led some media outlets to believe that her “15 minutes of fame” were over.

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