When the red, red robin comes bob, bob, bobbin' along, along
There'll be no more sobbin' when he starts throbbin' his old sweet song

Wake up, wake up, you sleepy head
Get up, get out of your bed
Cheer up, cheer up; the sun is red
Live, love, laugh, and be happy

What if I were blue; now I'm walking through, walking through the fields of flowers
Rain may glisten, but still I listen for hours and hours

I'm just a kid again, doing what I did again, singing a song
When the red, red robin comes bob, bob, bobbin' along
When the red, red robin comes bob, bob, bobbin'
When the red, red robin comes bob, bob, bobbin' along

There'll be no more sobbin' when he starts throbbin'
There'll be no more sobbin' when he starts a throbbin' his old sweet song

Wake up, wake up, you sleepy head
Why don't you get up, get up, get out of bed? Cheer up
Live, love, laugh, and be happy

What if I were blue; now I'm walking through fields of flowers
Rain may glisten, but still I listen for hours and hours

I'm just a kid again, doing what I did again, singing a song
When the red, red robin comes bob, bob, bobbin'
When the red, red robin comes bob, bob, bobbin' along
Along, along, along, along, along

Louis Armstrong

Louis Armstrong, known throughout his lengthy career by nicknames like “Satchmo”, “Pops” and simply “Louie”, was a trumpeter, composer, singer and occasional actor, as well as one of the most influential figures in the history of jazz.

Born and raised in New Orleans, where jazz itself is alleged to have began, Armstrong started his career in 1918, playing the cornet in brass bands and riverboats along the Mississippi River. There, he caught the attention of his future mentor, King Oliver, joining his band in Chicago, where he networked with other popular jazz musicians like Hoagy Carmichael and his first wife Lil Hardin Armstrong.

In 1924, Louie relocated to New York City playing for the Fletcher Henderson Orchestra. It was at this time he switched over from cornet to trumpet in order to blend in better with the other musicians in his section. It was also when he developed his emotional playing style, which included singing and telling tales of his life back in New Orleans.