Louis Armstrong

Songwriter: Turner Layton Henry Creamer

Now won't you listen honey, while I say
How could you tell me that you're goin' away?
Don't say that we must part
Don't break your baby's heart

You know I've loved you for these many years
Loved you night and day
Oh! honey baby, can't you see my tears?
Listen while I say:

After you've gone and left me cryin'
After you've gone there's no denyin'
You'll feel blue, you'll feel sad
You'll miss the dearest pal you've ever had

There'll come a time, now don't forget it
There'll come a time when you'll regret it
Someday, when you grow lonely
Your heart will break like mine and you'll want me only
After you've gone, after you've gone away

After you've gone and left me cryin'
After you've gone there's no denyin'
You're gonna feel blue, and you're gonna feel sad
You're gonna feel bad
And you'll miss, and you'll miss
And you'll miss the bestest pal you ever had

There'll come a time, now don't forget it
There'll come a time when you'll regret it
But baby, think what you're doin'
I'm gonna haunt you so, I'm gonna taunt you so
It's gonna drive you to ruin
After you've gone, after you've gone away

Louis Armstrong, known throughout his lengthy career by nicknames like “Satchmo”, “Pops” and simply “Louie”, was a trumpeter, composer, singer and occasional actor, as well as one of the most influential figures in the history of jazz.

Born and raised in New Orleans, where jazz itself is alleged to have began, Armstrong started his career in 1918, playing the cornet in brass bands and riverboats along the Mississippi River. There, he caught the attention of his future mentor, King Oliver, joining his band in Chicago, where he networked with other popular jazz musicians like Hoagy Carmichael and his first wife Lil Hardin Armstrong.

In 1924, Louie relocated to New York City playing for the Fletcher Henderson Orchestra. It was at this time he switched over from cornet to trumpet in order to blend in better with the other musicians in his section. It was also when he developed his emotional playing style, which included singing and telling tales of his life back in New Orleans.

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