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Ayesha Says (Intro)Lupe Fiasco

Released: September 25, 2012

Featuring: Ayesha Jaco

Songwriter: Ayesha Jaco

Producer: Jaco

[Verse (Spoken)]
Hijabs, hoodies, afros, locks
Teddy bear, liquor bottle shrines, rocks
Tanks, prayer rugs, church pews, Mexican corn stands
Blood, sweat, and tears, police batons
Gas masks and bullets create graffiti on corners
Murals that salute freedom or death for liberty
Be it Englewood or Egypt, Bedstuy or Baghdad
Syria or Liberia, the west bank or the west side of Chicago
Where food and liquor stores still occupy the block
While police and community watchmen justify why they shot
Emmit Till and Malice Green, Rekia Boyd and Trayvon Martin
Better not wear that hoodie while shopping for a carton
Or whatever they sellin’ in your food desert
Cause your soul is dessert and will be dissected and consumed
On the Fox evening news while we sing the blues
The New Jim Crow caged bird sings
Cause he’s tired of occupying his misery and of our marching
He wanna fly to a higher consciousness
But his school on academic probation
They gave him medicine, diagnosed him with a felony and mental retardation
So he refuses to cease the firin’, nobody’s hirin’
In Illinois, 67 is the new age when you retirin’
Class lines have blurred, those who used to have, have not
Pensions bein’ snatched
Those who never have keep their hands stretched
Social services being cut
Sterilization clinics giving out pills to numb the womb
Young girls referring to their vaginas as tombs
Thinkin’ protests are temporary and trendy
Well rock a t-shirt and carry a poster
And two weeks later it’s back to normal
But they say times are changin’
The revolution is becoming second nature, causes are combining
People carrying torches, hope burning from their hands
Attaching explosive devices ‘cause they keep stealing their lands
In the name of freedom
Hijabs, hoodies, afros, locks
Teddy bear, liquor bottle shrines, rocks
Tanks, prayer rugs, church pews, Mexican corn stands
Blood, sweat, and tears, police batons
Gas masks and bullets create graffiti on corners

Lupe Fiasco

The Chicago born Wasalu Muhammad Jaco first tasted success when he featured on Kanye West’s hit “Touch the Sky”, a track that shortly preceded his real breakout, his 2006 debut album Lupe Fiasco’s Food & Liquor, and he never looked back. He has established himself as one of the greatest urban wordsmiths of all time, with Genius even dubbing him the ‘Proust of Rap’.

While he’s now regarded of one of the 21st Century’s Hip-Hop greats, he wasn’t always a fan of the genre, initially disliking it due to the prominence of vulgarity and misogyny within it. In his late teens, he aspired to make it as a lyricist. In his early twenty’s, he met Jay-Z, who helped him sign with Atlantic Records in 2005. The following year, he released his debut album (Lupe Fiasco’s Food & Liquor), which was met with acclaim from fans and critics alike, as did his sophomore effort, Lupe Fiasco’s The Cool.

The following eight years of his career saw far less output than many would’ve anticipated. This can be partly attributed to his struggles with Atlantic Records. The executives wanted him to sign a 360 deal; however, as he refused to do so they instead shelved his already completed 3rd album, Lasers, and wouldn’t promote him as they had previously. The overseers at the label also interfered with his music (as they had tried to do with his fan-favorite track “Dumb it Down”); subsequently effecting the quality and sound of his third and fourth albums.

more tracks from the album

Food & Liquor II: The Great American Rap Album, Pt. 1

From the album
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