Released: April 4, 2007

Everybody, let's get down
Mou yamitsuki ni naru
Livin' in the funky town (let's get down)
Nemurazu ni C'mon now
EREKUTORONIKKU na funky town
PAATI ANIMARU wa yonayona kuridasu

Tu tu tu BASURUUMU de hanauta
Tu tu tu noutenki na kaiwa
What's the deal, baby?
HAPUNINGU mo atari mae
PAATI ANIMARU wa yonayona kuridasu

Mayonaka no PUURU SAIDO
PEAA de odoreba
Honki ja nai love affair
Yurusareru no kamo
Dancin' all night, drinkin' all night, talkin' all night, oh yeah
Kare nimo kanojo nimo naisho de

Everybody, let's get down
Mou yamitsuki ni naru
Livin' in the funky town (let's get down)
Nemurazu ni C'mon now
EREKUTORONIKKU na funky town
PAATI ANIMARU wa yonayona kuridasu

Tu tu tu uwasa no KOMYUNITI
Tu tu tu setsunateki na kankei
Who cares? and I don't care
Kairaku no tsuikyuu mo kurou ga aru
PAATI ANIMARU wa yonayona kuridasu

Kanji warui VIP RUUMU
Kyoumi mo nai nara
Massaki ni we gonn' rush to the floor
SAIKE ni megamawaru made
Dancin' all night, drinkin' all night, talkin' all night, oh yeah
Kare nimo kanojo nimo naisho de

Everybody, let's get down
Mou yamitsuki ni naru
Livin' in the funky town (let's get down)
Nemurazu ni C'mon now
EREKUTORONIKKU na funky town
PAATI ANIMARU wa yonayona kuridasu

Break time
Hitoiki tsuite kirameki torimodosu
Break time
Kagayaki tsudzukeru myself

Mayonaka no PUURU SAIDO
PEAA de odoreba
Honki ja nai love affair
Yurusareru no kamo
Dancin' all night, drinkin' all night, talkin' all night, oh yeah
Kare nimo kanojo nimo naisho de

Everybody, let's get down
Mou yamitsuki ni naru
Livin' in the funky town (let's get down)
Nemurazu ni C'mon now
EREKUTORONIKKU na funky town
PAATI ANIMARU wa yonayona kuridasu

Everybody, let's get down
Mou yamitsuki ni naru
Livin' in the funky town (let's get down)
Nemurazu ni C'mon now
EREKUTORONIKKU na funky town
PAATI ANIMARU wa yonayona kuridasu

Namie Amuro

Namie Amuro (安室奈美恵 In Japanese) is a former Japanese singer, dancer, fashion model, actress and businesswoman. She achieved popularity by a series of successful singles and albums, both exploring different genres and working with producers and musicians outside of Japan, one of the first Japanese artists to do so at the time. Due to her longevity and resilience in the industry, she has been often referred by critics and music publications as the “Teen Queen” of Japan, “Queen of J-Pop”, and the “Japanese Madonna or Janet Jackson”.