Songwriter: Nao’ymt

Producer: Nao’ymt

Step. Step into the floor
Shake, Shake on the floor
Bounce, Bounce, Bounce, Bounce
Take, Take it to the floor
Shake, Shake on the floor
Hide&Seek Ah 1.2 Step C'mon

今度のHOTなStyleも相当スキない
冒頭攻めてく方向
抑えきれない衝動
範囲外で濃厚な蜜をもっと
いけない遊び 知ったら後に
戻れない距離(Everyday your eyes on me)
揺れる Floor 上がる温度 聞こえる鼓動
You're feelin' you never never lower your voice

Wah Hit the floor"Bang, Bang"
足下"Bounce, Bounce"
It's time to bang, bang, bang your head
Ow 気付けば段々 病みつき"Bounce, Bounce"
It's time to bang, bang, bang your head
You wanna catch me (Hide&Seek)
You wanna catch me (Hide&Seek)
かなり Crazy (Hide&Seek)
This is another level
If you wanna get the real thrill
さあ Let's play カクレンボ
Boy You gonna try to find me

退屈 時計仕掛け 芝居仕立て
回れ右 Go Away
守ってばかりじゃ Nonsense
どうせなら派手にきめて Once Again
理屈じゃないって たったの一回で
もうずっと回転(Are you ready step my way?)
平坦な Sunday から Monday 気の済むまで
You gotta jus' shake shake shake your body

Wah Hit the floor"Bang, Bang"
足下"Bounce, Bounce"
It's time to bang, bang, bang your head
Ow 気付けば段々 病みつき"Bounce, Bounce"
It's time to bang, bang, bang your head
You wanna catch me (Hide&Seek)
You wanna catch me (Hide&Seek)
かなり Crazy (Hide&Seek)
This is another level
If you wanna get the real thrill
さあ Let's play カクレンボ
Boy You gonna try to find me

あどけない素振りMake me say Uh, Uh, Uh, Uh
はっきりと Oh tell me waht you wanna do, do, do, do
Boy you sexy thing like a gorgeous ring
素っ気ないふり それも手の内
My heart is beatin', Keeps on repeatin'
あり得ない数値 I wanna see your body bounce for me

Wah Hit the floor"Bang, Bang"
足下"Bounce, Bounce"
It's time to bang, bang, bang your head
Ow 気付けば段々 病みつき"Bounce, Bounce"
It's time to bang, bang, bang your head
You wanna catch me (Hide&Seek)
You wanna catch me (Hide&Seek)
かなり Crazy (Hide&Seek)
This is another level
If you wanna get the real thrill
さあ Let's play カクレンボ
Boy You gonna try to find me

Namie Amuro

Namie Amuro (安室奈美恵 In Japanese) is a former Japanese singer, dancer, fashion model, actress and businesswoman. She achieved popularity by a series of successful singles and albums, both exploring different genres and working with producers and musicians outside of Japan, one of the first Japanese artists to do so at the time. Due to her longevity and resilience in the industry, she has been often referred by critics and music publications as the “Teen Queen” of Japan, “Queen of J-Pop”, and the “Japanese Madonna or Janet Jackson”.