Released: May 2, 2008

Songwriter: Spencer Smith Brendon Urie Jon Walker Ryan Ross

Producer: Rob Mathes

[Verse 1]
Things are shaping up to be pretty odd
Little deaths in musical beds
So it seems I’m someone I've never met
You will only hear these elegant crimes
Fall on your ears from criminal dimes
They spill unfound from a pretty mouth

[Pre-Chorus]
And everybody gets there, everybody gets their
And everybody gets their way
I never said I missed her when everybody kissed her
Now I’m the only one to blame

[Chorus]
Things have changed for me, and that's okay
I feel the same, I'm on my way and I say
Things have changed for me, and that's okay

[Verse 2]
I want to go where everyone goes
I want to know what everyone knows
I want to go where everyone feels the same
I never said I’d leave the city
I never said I’d leave this town
A falling out we won’t tiptoe about

[Pre-Chorus]
Well, everybody gets there, everybody gets their
And everybody gets their way
I never said I missed her when everybody kissed her
Now I’m the only one to blame

[Chorus]
Things have changed for me, and that's okay
I feel the same, I'm on my way and I say
Things have changed for me, and that's okay
I feel the same, and I say

[Chorus]
Things have changed for me (Well, things have changed for me)
And that's okay (Come on, everybody, let's dance and sing)
I feel the same (I'm singing it all night long)
And I say (Come on, everybody, yeah, join along, I'm singing)
Things have changed for me (Well, things have changed for me)
And that's okay (Come on, everyone, let's dance and sing)
I feel the same (I'm singing it all night long)
And I say (Come on, everybody, yeah, sing along)
Things have changed for me, and that's okay
I'm on my way and I say

[Outro]
Things have changed for me

Panic! at the Disco

Named after a line from Name Taken’s “Panic,” Panic! at the Disco was formed by drummer Spencer Smith, bassist Brent Wilson, guitarist Ryan Ross, and vocalist Brendon Urie, and founded in 2004 in Las Vegas, Nevada. While crafting pop-influenced songs with theatrical themes, quirky techno beats, and perceptive lyrics, they received some much-deserved attention.

They became the first group signed on Pete Wentz’s (bassist in Fall Out Boy) record label, Decaydance Records (now DCD2 Records). Their hit song that started it all, “I Write Sins Not Tragedies,” remains one of their top two top forty songs along with “Hallelujah.”

They have released six studio A Fever You Can’t Sweat Out, Pretty. Odd., Vices & Virtues, Too Weird to Live, Too Rare to Die!, Death of a Bachelor, and now their most recent album Pray for the Wicked. These last two albums were actually solo projects from Brendon Urie, since all the other members of the band had already left the group before their release dates; in 2006, bassist Brent Wilson was fired due to his “lack of responsibility and the fact that he wasn’t progressing musically with the band.” And in 2009, guitarist Ryan Ross and bassist Jon Walker left the band to “embark on a musical excursion of their own,” forming The Young Veins. Dallon Weekes, who joined the band as a bassist and songwriter in 2009, had become a touring member only by the time Death of a Bachelor was released and later left the band completely in order to focus on his own music. Weekes was replaced by Nicole Row, the first female member of the band.