Peter Gabriel

Released: November 5, 1976

Featuring: Harry Rabinowitz Royal Philharmonic Orchestra London Symphony Orchestra

Songwriter: Paul McCartney John Lennon

Producer: Lou Reizner

While many of the tracks on "The Mouse and the Mask" feature references to 60's/70's/80's cartoons and Adult Swim shows, this and "Perfect Hair" are the only tracks on the album that are solely about a single show. Read more on Last.fm.

[Chorus]
Let me take you down
'Cause I'm going to Strawberry Fields
Nothing is real
And nothing to get hung about
Strawberry Fields forever

[Verse 1]
Living is easy with eyes closed
Misunderstanding all you see
It's getting hard to be someone but it all works out
It doesn't matter much to me

[Chorus]
Let me take you down
Cause I'm going to Strawberry Fields
Nothing is real
And nothing to get hung about
Strawberry Fields forever

[Verse 2]
Always know sometimes, I think it's me
But you know I know when it's a dream
I think I know, I mean, ah yes, but it's all wrong
That is, I think I disagree

[Chorus]
Let me take you down
Cause I'm going to Strawberry Fields
Nothing is real
And nothing to get hung about
Strawberry Fields forever
Strawberry Fields forever
Strawberry Fields forever

As a member of Genesis in the early ‘70s, Peter Gabriel helped move progressive rock to new levels of theatricality. He was no less ambitious as a solo artist, but he was more subtle in his methods. With his first eponymous solo album in 1977, he began exploring darker, more cerebral territory, incorporating avant-garde, electronic, and worldbeat influences into his music. The record, as well as its two similarly titled successors, established Gabriel as a critically acclaimed cult artist, and with 1982’s Security, he began to move into the mainstream; “Shock the Monkey” became his first Top 40 hit, paving the way for his multi-platinum breakthrough So in 1986. Accompanied by a series of groundbreaking videos and the number one single “Sledgehammer,” So became a multi-platinum hit, and Gabriel became an international star. Instead of capitalizing on his sudden success, he began to explore other interests, including recording soundtracks and running his company Real World. By the time he returned to pop with 1992’s Us, his mass audience had faded away and he spent the remainder of the '90s working on multimedia projects for Real World.

Apple music preview

Strawberry Fields Forever (feat. The London Symphony Orchestra & the Royal Philharmonic Orchestra)

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