Peter Gabriel

Released: May 23, 1980

Songwriter: Peter Gabriel

Producer: Steve Lillywhite

[Intro: Crowd]
Ngomhla sibuyayo
Ngomhla sibuyayo
Ngomhla sibuyayo, kophalal'igazi!
Ngomhla sibuyayo
Ngomhla sibuyayo
Ngomhla sibuyayo, kophalal'igazi!
Bakhala uVorster!
Bakhala uVorster!
Ngomhla sibuyayo, kophalal'igazi!
Ngomhla sibuyayo
Ngomhla sibuyayo
Ngomhla sibuyayo, kophalal'igazi!

[Verse 1: Peter Gabriel]
September '77
Port Elizabeth weather fine
It was business as usual
In police room 619

[Chorus: Peter Gabriel]
Oh Biko, Biko, because Biko
Oh Biko, Biko, because Biko
Yihla moja, yihla moja
The man is dead
The man is dead

[Interlude]

[Verse 2: Peter Gabriel]
When I try and sleep at night
I can only dream in red
The outside world is black and white
With only one colour dead

[Chorus: Peter Gabriel]
Oh Biko, Biko, because Biko
Oh Biko, Biko, because Biko
Yihla moja, yihla moja
The man is dead
The man is dead

[Interlude]

[Verse 3: Peter Gabriel]
You can blow out a candle
But you can't blow out a fire
Once the flames begin to catch
The wind will blow it higher

[Chorus: Peter Gabriel]
Oh Biko, Biko, because Biko
Oh Biko, Biko, because Biko
Yihla moja, yihla moja
The man is dead
The man is dead

[Post-Chorus: Peter Gabriel]
And the eyes of the world are
Watching now, watching now

[Interlude]

[Outro: Crowd]
Senzeni na? Senzeni na?
Senzeni na? Senzeni na?
Senzeni na? Senzeni na?
Senzeni na? Senzeni na?
Senzeni na? Senzeni na?
Senzeni na? Senzeni na?
Senzeni na? Senzeni na?
Senzeni na? Senzeni na?
Senzeni na? Senzeni na?

As a member of Genesis in the early ‘70s, Peter Gabriel helped move progressive rock to new levels of theatricality. He was no less ambitious as a solo artist, but he was more subtle in his methods. With his first eponymous solo album in 1977, he began exploring darker, more cerebral territory, incorporating avant-garde, electronic, and worldbeat influences into his music. The record, as well as its two similarly titled successors, established Gabriel as a critically acclaimed cult artist, and with 1982’s Security, he began to move into the mainstream; “Shock the Monkey” became his first Top 40 hit, paving the way for his multi-platinum breakthrough So in 1986. Accompanied by a series of groundbreaking videos and the number one single “Sledgehammer,” So became a multi-platinum hit, and Gabriel became an international star. Instead of capitalizing on his sudden success, he began to explore other interests, including recording soundtracks and running his company Real World. By the time he returned to pop with 1992’s Us, his mass audience had faded away and he spent the remainder of the '90s working on multimedia projects for Real World.

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