Released: July 10, 2010

Songwriter: Prince

Producer: Prince

[Spoken Intro]
Turn it up

[Refrain]
You need to, you need to
You need to lay it down
You need to, you need to
You need to lay it down

[Chorus]
You need to lay it down
And let me show you how
We do this thing
Up in funky town
From the heart of Minnesota
Here come the Purple Yoda
Guaranteed to bring the dirty new sound
Come on, now

[Refrain]
You need to, you need to
(What, What, What)
You need to lay it down
(What, What, What)
You need to, you need to
(What, What, What)
You need to lay it down

[Verse 1]
You need to shut it up
Your cup ain't full enough
Let me show you what I learned
From laying in the cut
You need a six string
And let that sucker ring
The holy funking roll
Let it get the people up

[Refrain]
(What, What, What)
You need to, you need to
(Get up)
You need to lay it down
(Get up)
You need to, you need to
(Stay Down)
You need to lay it down

[Bridge]
To say this name borders on blasphemy
Everybody wants to be me
If your girlfriend didn't have the surgery
Maybe she could see what I see

[Refrain]
You need to, you need to
You need to lay it down
You need to, you need to
You need to lay it down

[Chorus]
You need to lay it down
And let me show you how
We do this thing
Up in funky town
From the heart of Minnesota
Here come the Purple Yoda
Guaranteed to bring the dirty new sound
Come on, now

[Verse 2]
Yours ain't really the grove we dance to
We need something more funky to move to
Y'all know what I'm talking 'bout
That purple bounce, bounce
Rio de Janeiro
Euro and and soon Amero
This dirty little groove for you
Let's do it now, come on, boo

[Ad lib]
Bounce, bounce
Come on, now, come on, now

[Chorus]
You need to lay it down
And let me show you how
We do this thing
Up in funky town
From the heart of Minnesota
Here come the Purple Yoda
Guaranteed to bring the dirty new sound
Come on, now

Let's go

Prince

An American singer-songwriter, musician, multi-instrumentalist, and actor that produced 22 RIAA-platinum albums during his 40-year career, Prince may be known for one of many different things – his turn as “The Kid” in the iconic film/album/8 ½ minute ballad “Purple Rain”, being the writer behind the acclaimed anthem “Kiss,” rivaling Michael Jackson at the pinnacle of his career, being the inspiration behind censorship laws, or being the artist addressed as an unpronounceable symbol throughout the 1990s—but while many know of Prince, most don’t fully understand the impact his legacy left on this world.

Going by many aliases throughout his life, Prince Rogers Nelson was born in Minneapolis, Minnesota on June 7, 1958 with his father’s (John L. Nelson) stage name as his own given one. Growing up, Prince suffered from serious epileptic seizures at a very young age, but he had wrote his first composition of many by age seven, and outside of his love for basketball, he wanted music to be his purpose in life. His tumultuous childhood, witnessing alcoholism and abuse, caused him to find refuge in neighbor André Cymone’s home in his teens, where the two competed in local band competitions, leading to Prince’s introduction to Morris Day alongside music with his cousin’s band 94 East, leading him to be courted by record labels and ultimately signed to Warner Bros. Records with complete creative control; at 19, his debut album, For You (1978) was released – Prince played all 19 instruments on the record.

Influenced by the likes of Miles Davis, Rick James, and James Brown, Prince desired to form a music dynasty and after the success of his next albums – the platinum-selling Prince (1979), the sexually-charged Dirty Mind (1980), and politically-motivated Controversy (1981) – he negotiated for the ability to form his own label and manage artists of his own. Prince’s trademark sexual/religious rhetoric within pop-and-dance, funk-rock sound gained him a following, but his opening slates for Rick James and The Rolling Stones were both negatively received and facing bankruptcy, the young artist began to reach for mainstream popularity. Cashing on the drug-influenced doomsday mania of the times, 1982’s 1999 easily achieved that mainstream appeal, landing him on MTV, music charts, and radio stations across the world.