Released: January 29, 1998

Songwriter: Prince

Producer: Prince

[Intro]
Hey!
"Down on it" [repeats in background]

[Spoken Intro]
Say baby, what you waiting on?
For you, uh, ain't no other fish in the sea
What you waiting on?
Acknowledge me

[Chorus]
Acknowledge me, don't dog me anymore
I was here in the beginning and I'll be here forever more
Acknowledge me, I only want to be your friend
I can make you happy baby, over and over again

[Verse 1]
Saw you at the party, you were looking so fly
Everybody wanted your number, you wanted mine
You came right up to me in one wink of an eye
You told me that you think of me both day and night and that is why
I've got to know how can you give your body to another
When your mind is here with me?
You need a friend much more than a lover
That's all I ever said I wanted to be

[Chorus]
Acknowledge me, don't dog me anymore
I was here in the beginning and I'll be here forever more
Acknowledge me, I only want to be your friend
I can make you happy baby, over and over again

[Verse 2]
I'm waiting for the phone call, but it just don't ring
I'm looking for a letter or a sign from heaven or anything
Everyday that goes by is another day I want you more
I'd give a million dollars to see you baby standing at my door
I'll lay you down and tell you stories
About the way that we could be
And when you are ready to feel the glory (Feel the glory)
I will only want to love you when it's something that you need

[Chorus]
Acknowledge me, don't dog me anymore
I was here in the beginning and I'll be here forever more
Acknowledge me, I only want to be your friend
I can make you happy baby, over and over again

[Verse 3]
Not that you care for a silly rhyme fronting an old cliché (Yeah) (Yeah)
But look at me baby, what can I say?
There ain't another fish in the sea (Yeah)
I could be singing a song any style, any way
Ain't nothing but a trick to me (Blow)
But I'm going to blow this horn until you are on your knees
Begging me please, please, please
Gimme, gimme, gimme, gimme love I can count on
Gimme, gimme body I can't go without
Uh, slaves for one another (Hey!)
Yeah baby, that's what I do believe I am talking about
So let me know how you want to go? (Yeah)
You want to get with that or this? (Yeah)
Uh, acknowledge me, baby
You got to or you can...kiss
How can you give your body to another? (How can you, baby?)
When your mind is here with me (It's here with me)
You need a friend much more than a lover (you need a friend)
That's all I ever said I wanted to be
(That's all I ever, ever want to be baby)
(Acknowledge me, me, me, oh yeah!)
Acknowledge, acknowledge, acknowledge, acknowledge me

[Chorus]
Acknowledge me, don't dog me anymore
I was here in the beginning and I'll be here forever more
Acknowledge me, I only want to be your friend
I can make you happy baby, over and over again
Acknowledge me, don't dog me anymore
I was here in the beginning and I'll be here forever more
Acknowledge me, I only want to be your friend
I can make you happy baby, over and over again

[Verse 4]
Come on pretty baby, sit your butt on the chair there
And let me run agenda in and out of your hair fair
Agenda for the morning, noon and night, so prepare there
You could come alone or tell a friend, I don't care bear
This a funky party so you need to be open
Giving up all I need so I don't need to be hoping
And even if we're dealing with that time of the month
It's fourth and goal and I ain't about to punt
Cuz as soon as you be strolling in your Lagerfeld blazer
You need to know how many ways a brother can praise you
Too bad for hell, too good to let heaven raise you
And if you want to see my dream, I need you for days and days
Baby doll, can you get the hell away
From that thing you call a man and then we can play
The kind of music that'll make your big butt sway
To the back, to the forth
When it's all said a better brother should be more
Thank the Lord
Huh, for a body like that, titties swinging like a door
Gimme to times just to thank my Savior
Girl, what can I say, you got the crazy flavor
I'm giving you plenty propers so you got to score
The only one that's going to make you holler for more
Like a whore, I'm yours
Acknowledge me, baby, what are you waiting for?

[Outro]
"Down on it" [repeats in background]
Welcome, this is where I live [fades out]
This is where I dream my dreams
Tonight we'll make love until the world stops turning
You are small but very strong, you move like a cat

Prince

An American singer-songwriter, musician, multi-instrumentalist, and actor that produced 22 RIAA-platinum albums during his 40-year career, Prince may be known for one of many different things – his turn as “The Kid” in the iconic film/album/8 ½ minute ballad “Purple Rain”, being the writer behind the acclaimed anthem “Kiss,” rivaling Michael Jackson at the pinnacle of his career, being the inspiration behind censorship laws, or being the artist addressed as an unpronounceable symbol throughout the 1990s—but while many know of Prince, most don’t fully understand the impact his legacy left on this world.

Going by many aliases throughout his life, Prince Rogers Nelson was born in Minneapolis, Minnesota on June 7, 1958 with his father’s (John L. Nelson) stage name as his own given one. Growing up, Prince suffered from serious epileptic seizures at a very young age, but he had wrote his first composition of many by age seven, and outside of his love for basketball, he wanted music to be his purpose in life. His tumultuous childhood, witnessing alcoholism and abuse, caused him to find refuge in neighbor André Cymone’s home in his teens, where the two competed in local band competitions, leading to Prince’s introduction to Morris Day alongside music with his cousin’s band 94 East, leading him to be courted by record labels and ultimately signed to Warner Bros. Records with complete creative control; at 19, his debut album, For You (1978) was released – Prince played all 19 instruments on the record.

Influenced by the likes of Miles Davis, Rick James, and James Brown, Prince desired to form a music dynasty and after the success of his next albums – the platinum-selling Prince (1979), the sexually-charged Dirty Mind (1980), and politically-motivated Controversy (1981) – he negotiated for the ability to form his own label and manage artists of his own. Prince’s trademark sexual/religious rhetoric within pop-and-dance, funk-rock sound gained him a following, but his opening slates for Rick James and The Rolling Stones were both negatively received and facing bankruptcy, the young artist began to reach for mainstream popularity. Cashing on the drug-influenced doomsday mania of the times, 1982’s 1999 easily achieved that mainstream appeal, landing him on MTV, music charts, and radio stations across the world.