Prince

Released: January 29, 1998

Featuring: Nona Gaye

Songwriter: Prince

Producer: Prince

[Intro]
(We don't stop)
Love sign
Love, love

[Chorus]
If you are sick of evil knocking on your door
Throw up the love sign once and forever more
If you would rather make love and have a little fun
Throw up the love sign everybody and not the gun

[Verse 1]
In a chariot of red and gold
The cool, fuzzy voice said, "Come save your soul"
Before the fear of rejection reared its head
He stood before the masses and calmly said

[Chorus]
If you are sick of evil knocking on your door
Throw up the love sign once and forever more
If you would rather make love and have a little fun
Throw up the love sign everybody and not the gun

[Verse 2]
In the day of where and why we all belong
Don't nobody want to hear a silly love song
And if they did then we would sing it on the news
While you are aiming your gun at me and I'm aiming back at you

[Chorus]
If you are sick of evil knocking on your door
Throw up the love sign once and forever more
If you would rather make love and have a little fun
Throw up the love sign everybody and not the gun

[Ad Lib]
Now
Song now
Everybody sing the song now

[Verse 3]
If you only had one year left to live
What good is the time you spend if you got no love to give?
Let's all get up off the front and find a cause to back
Then we can teach the babies replications of the act, of the act

[Chorus]
If you are sick of evil knocking on your door
Throw up the love sign once and forever more
If you would rather make love and have a little fun
Throw up the love sign everybody and not the gun
If you are sick of evil knocking on your door
Throw up the love sign once and forever more
If you would rather make love and have a little fun
Throw up the love sign everybody and not the gun

[Outro]
(Sick of evil knocking, yeah)
(Then ev..everybody, oh)
(We can have a little fun)
(Everybody, oh yeah)
(Oh yeah)
(forever more)
(Make a little love now)
(We can make love instead of guns, oh)
Now

An American singer-songwriter, musician, multi-instrumentalist, and actor that produced 22 RIAA-platinum albums during his 40-year career, Prince may be known for one of many different things – his turn as “The Kid” in the iconic film/album/8 ½ minute ballad “Purple Rain”, being the writer behind the acclaimed anthem “Kiss,” rivaling Michael Jackson at the pinnacle of his career, being the inspiration behind censorship laws, or being the artist addressed as an unpronounceable symbol throughout the 1990s—but while many know of Prince, most don’t fully understand the impact his legacy left on this world.

Going by many aliases throughout his life, Prince Rogers Nelson was born in Minneapolis, Minnesota on June 7, 1958 with his father’s (John L. Nelson) stage name as his own given one. Growing up, Prince suffered from serious epileptic seizures at a very young age, but he had wrote his first composition of many by age seven, and outside of his love for basketball, he wanted music to be his purpose in life. His tumultuous childhood, witnessing alcoholism and abuse, caused him to find refuge in neighbor André Cymone’s home in his teens, where the two competed in local band competitions, leading to Prince’s introduction to Morris Day alongside music with his cousin’s band 94 East, leading him to be courted by record labels and ultimately signed to Warner Bros. Records with complete creative control; at 19, his debut album, For You (1978) was released – Prince played all 19 instruments on the record.

Influenced by the likes of Miles Davis, Rick James, and James Brown, Prince desired to form a music dynasty and after the success of his next albums – the platinum-selling Prince (1979), the sexually-charged Dirty Mind (1980), and politically-motivated Controversy (1981) – he negotiated for the ability to form his own label and manage artists of his own. Prince’s trademark sexual/religious rhetoric within pop-and-dance, funk-rock sound gained him a following, but his opening slates for Rick James and The Rolling Stones were both negatively received and facing bankruptcy, the young artist began to reach for mainstream popularity. Cashing on the drug-influenced doomsday mania of the times, 1982’s 1999 easily achieved that mainstream appeal, landing him on MTV, music charts, and radio stations across the world.

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