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LetitgoPrince

Released: August 9, 1994

Songwriter: Prince

Producer: Prince

[Intro: Vanity and Prince]
Ready or not, here I come
Come on
Come on

[Verse 1: Prince]
All my life I've kept my feelings deep inside
Never was a reason to let somebody know
"Lover here, lover there" - Who cried? Who cared? Foolish pride
"Never was a good seat at any of this man's shows"

[Pre-Chorus: Prince]
Until now all I wanted to do is
Do do do what I do, and
Bang bang bang on the drummer
And love so-and-so

[Chorus: Prince]
But now I've got to let it go (let it go)
Lay back and let the vibe just flow
I wanna just let it go (let it go)
Lay back and let my feelings show (let it go)
I'm ready for the real
Give me something I can feel

[Verse 2: Prince]
All my life this heart's been under lock and key
My curtains were drawn, there wasn't nobody home
Trigger here, Trigger there - everybody's high except for me
Better off dead if I couldn't be alone

[Pre-Chorus: Prince]
Until now all I wanted to do is
Do do do what I do, and
Bang bang bang on the drummer
And love so-and-so

[Chorus: Prince]
But now I've got to let it go (let it go)
Lay back and let the vibe just flow
I wanna just let it go (let it go)
Lay back and let my feelings show (let it go)
I'm ready for the real
Give me something I can feel

[Verse 3: Prince]
Fourteen years and tears I've longed to sing my song
But a horse couldn't drag your ass to put me on
But now I've got an army and we're three million strong
This song will ring in your ears when we are gone

[Pre-Chorus: Prince]
Until now all I wanted to do is
Do do do what I do, and
Bang bang bang on the drummer
And love so-and-so

[Chorus: Prince]
But now I've got to let it go (let it go)
Lay back and let the vibe just flow
I wanna just let it go (let it go)
Lay back and let my feelings show (let it go)
I'm ready for the real
Give me something I can feel

[Outro: Prince]
I am ready for the real
Come a little closer
Let it go
Lay back an' let the vibe just flow

Prince

An American singer-songwriter, musician, multi-instrumentalist, and actor that produced 22 RIAA-platinum albums during his 40-year career, Prince may be known for one of many different things – his turn as “The Kid” in the iconic film/album/8 ½ minute ballad “Purple Rain”, being the writer behind the acclaimed anthem “Kiss,” rivaling Michael Jackson at the pinnacle of his career, being the inspiration behind censorship laws, or being the artist addressed as an unpronounceable symbol throughout the 1990s—but while many know of Prince, most don’t fully understand the impact his legacy left on this world.

Going by many aliases throughout his life, Prince Rogers Nelson was born in Minneapolis, Minnesota on June 7, 1958 with his father’s (John L. Nelson) stage name as his own given one. Growing up, Prince suffered from serious epileptic seizures at a very young age, but he had wrote his first composition of many by age seven, and outside of his love for basketball, he wanted music to be his purpose in life. His tumultuous childhood, witnessing alcoholism and abuse, caused him to find refuge in neighbor André Cymone’s home in his teens, where the two competed in local band competitions, leading to Prince’s introduction to Morris Day alongside music with his cousin’s band 94 East, leading him to be courted by record labels and ultimately signed to Warner Bros. Records with complete creative control; at 19, his debut album, For You (1978) was released – Prince played all 19 instruments on the record.

Influenced by the likes of Miles Davis, Rick James, and James Brown, Prince desired to form a music dynasty and after the success of his next albums – the platinum-selling Prince (1979), the sexually-charged Dirty Mind (1980), and politically-motivated Controversy (1981) – he negotiated for the ability to form his own label and manage artists of his own. Prince’s trademark sexual/religious rhetoric within pop-and-dance, funk-rock sound gained him a following, but his opening slates for Rick James and The Rolling Stones were both negatively received and facing bankruptcy, the young artist began to reach for mainstream popularity. Cashing on the drug-influenced doomsday mania of the times, 1982’s 1999 easily achieved that mainstream appeal, landing him on MTV, music charts, and radio stations across the world.

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