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U Got the LookPrince

Released: March 31, 1987

Featuring: Sheena Easton

Songwriter: Prince

Producer: Prince

[Spoken Intro: Prince]
Here we are folks
The dream we all dream of
Boy versus girl in the World Series of love
Tell me, have you got the look

[Verse 1: Prince]
You walked in, I woke up
I never seen a pretty girl
Look so tough, baby
You got that look
Color you peach and black
Color me taken' aback
Crucial, I think I wantcha

[Chorus: Sheena Easton and Prince]
You've got the look, you've got the hook
You sho'nuf do be cookin' in my book
Your face is jammin'
Your body's heck-a-slammin'
If love is good, let's get to rammin'
You got the look, you got the look

[Ad lib: Prince]
Look here

[Verse 2: Prince]
You got the look
You got the look
You must'a took
You must'a took
A whole hour just to make up your face, baby
Closin' time, ugly lights, everybody's inspected
Everybody's inspected
But you are a natural beauty unaffected
Unaffected
Did I say an hour?
My face is red, I stand corrected
I stand corrected

[Chorus: Sheena Easton and Prince]
You've got the look, you've got the hook
You sho'nuf do be cookin' in my book
Your face is jammin'
Your body's heck-a-slammin'
If love is good, let's get to rammin'
You got the look, you got the look

[Spoken Interlude: Prince with Sheena Easton]
There's no girl to do
Well here we are
Ladies and gentlemen
The dream we all dream of
Oh, please!
Boy versus girl in the world series of love
Slammin'!

[Verse 3: Prince and Sheena Easton]
You walked in
I walked in
I woke up
You woke up
I never seen such a pretty girl look so tough, baby
Baby
You got that look
Yes you do, yes you do
Color you peach and black
Color me taken aback
Baby
Crucial, I think I wantcha

[Chorus: Sheena Easton and Prince]
You've got the look, you've got the hook
You sho'nuf do be cookin' in my book
Your face is jammin'
Your body's heck-a-slammin'
If your love is good, let's get to rammin' now
You got the look, you got the look

[Outro: Prince with Sheena Easton]
Here we are folks!
The dream we all dream of!
You got the look
You got the look
You got the look
You got the look
You got the look

Prince

An American singer-songwriter, musician, multi-instrumentalist, and actor that produced 22 RIAA-platinum albums during his 40-year career, Prince may be known for one of many different things – his turn as “The Kid” in the iconic film/album/8 ½ minute ballad “Purple Rain”, being the writer behind the acclaimed anthem “Kiss,” rivaling Michael Jackson at the pinnacle of his career, being the inspiration behind censorship laws, or being the artist addressed as an unpronounceable symbol throughout the 1990s—but while many know of Prince, most don’t fully understand the impact his legacy left on this world.

Going by many aliases throughout his life, Prince Rogers Nelson was born in Minneapolis, Minnesota on June 7, 1958 with his father’s (John L. Nelson) stage name as his own given one. Growing up, Prince suffered from serious epileptic seizures at a very young age, but he had wrote his first composition of many by age seven, and outside of his love for basketball, he wanted music to be his purpose in life. His tumultuous childhood, witnessing alcoholism and abuse, caused him to find refuge in neighbor André Cymone’s home in his teens, where the two competed in local band competitions, leading to Prince’s introduction to Morris Day alongside music with his cousin’s band 94 East, leading him to be courted by record labels and ultimately signed to Warner Bros. Records with complete creative control; at 19, his debut album, For You (1978) was released – Prince played all 19 instruments on the record.

Influenced by the likes of Miles Davis, Rick James, and James Brown, Prince desired to form a music dynasty and after the success of his next albums – the platinum-selling Prince (1979), the sexually-charged Dirty Mind (1980), and politically-motivated Controversy (1981) – he negotiated for the ability to form his own label and manage artists of his own. Prince’s trademark sexual/religious rhetoric within pop-and-dance, funk-rock sound gained him a following, but his opening slates for Rick James and The Rolling Stones were both negatively received and facing bankruptcy, the young artist began to reach for mainstream popularity. Cashing on the drug-influenced doomsday mania of the times, 1982’s 1999 easily achieved that mainstream appeal, landing him on MTV, music charts, and radio stations across the world.

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