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Space (Universal Love Remix)Prince

Released: November 1, 1994

Songwriter: Prince

Producer: Prince

T-minus 60 seconds and counting
Arm light on
Switching command 2 internal
Switching command 2 internal
(Missile..Internal..)

Affirmative
Ready
Check
Affirmative
Affirmative

Space

I never been 1 2 hide my feelings
Baby, u blow my mind
I painted your face upon my ceiling
I stare at it all the time

I imagine myself inside your bedroom
Oh I imagine myself in your sky
(U) U are the reason there's bass in my boom
(Oh u) U are the reason I'm high

If u and I were just ten feet closer
Then i'd make u understand
That everything i wanna do 2 your body, baby
I would do 2 your head
Then u'd be hip 2 the deep rush
Deeper than the boom of the bass
With every other flick of the pink plush
The closer we get 2 the space (The closer we get 2 the space)

(The space)
(The space)
(The space)
Don't u want 2 go? (The space)
Where the souls go (The space)
Where the tears flow (The space)
Where the love grows
Do u want 2 go?

I never been 1 4 this thing obsession
But just keep your eye on my hips
The circles they may be my confession
Just say the word and I'll strip

I've had dreams of us cuddling on the planet mars
Then when i wake up, I'm all covered in sex
With eyes that fall somewhere between rubies and stars
Don't look at me baby or I'll flex

If u and I were just ten feet closer
Then I'd make u understand
That everything I wanna do 2 your body, baby
I would do 2 your head
Then u'd be hip 2 the deep rush
Deeper than the boom of the bass
With every other flick of the pink plush
The closer we get 2 the space

(The space)
Go (The space)
Flow (The space)
Grow
Do u want 2 go?
(The space)
Where the souls go (The space)
Where the tears flow (The space)
Where the love grows
Do u want 2 go?

Bass

T-minus 60 seconds and counting
Arm light on
The space, the space, the space, the space
Switching command 2 internal
Switching command 2 internal
(Missile..)
Affirmative
Ready
Ready
Check
Check
Affirmative

The space, the space, the space, the space
The space, the space, the space, the space
Closer we get 2 the space
The space, the space, the space, the space

Prince

An American singer-songwriter, musician, multi-instrumentalist, and actor that produced 22 RIAA-platinum albums during his 40-year career, Prince may be known for one of many different things – his turn as “The Kid” in the iconic film/album/8 ½ minute ballad “Purple Rain”, being the writer behind the acclaimed anthem “Kiss,” rivaling Michael Jackson at the pinnacle of his career, being the inspiration behind censorship laws, or being the artist addressed as an unpronounceable symbol throughout the 1990s—but while many know of Prince, most don’t fully understand the impact his legacy left on this world.

Going by many aliases throughout his life, Prince Rogers Nelson was born in Minneapolis, Minnesota on June 7, 1958 with his father’s (John L. Nelson) stage name as his own given one. Growing up, Prince suffered from serious epileptic seizures at a very young age, but he had wrote his first composition of many by age seven, and outside of his love for basketball, he wanted music to be his purpose in life. His tumultuous childhood, witnessing alcoholism and abuse, caused him to find refuge in neighbor André Cymone’s home in his teens, where the two competed in local band competitions, leading to Prince’s introduction to Morris Day alongside music with his cousin’s band 94 East, leading him to be courted by record labels and ultimately signed to Warner Bros. Records with complete creative control; at 19, his debut album, For You (1978) was released – Prince played all 19 instruments on the record.

Influenced by the likes of Miles Davis, Rick James, and James Brown, Prince desired to form a music dynasty and after the success of his next albums – the platinum-selling Prince (1979), the sexually-charged Dirty Mind (1980), and politically-motivated Controversy (1981) – he negotiated for the ability to form his own label and manage artists of his own. Prince’s trademark sexual/religious rhetoric within pop-and-dance, funk-rock sound gained him a following, but his opening slates for Rick James and The Rolling Stones were both negatively received and facing bankruptcy, the young artist began to reach for mainstream popularity. Cashing on the drug-influenced doomsday mania of the times, 1982’s 1999 easily achieved that mainstream appeal, landing him on MTV, music charts, and radio stations across the world.

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